If there is one thing New York City is known for, it is its endless amount of fantastic types of music scenes that one person can indulge in. In recent years, something that continues to be on the rise here in NYC is the EDM scene, as that particular type of music gels well with a huge audience, both on and off the Billboard charts. So it comes as no surprise that a huge live music event that is happening next week has a great EDM background with some fantastic performers to go along with. This event is called Maxximize, and it is happening at the world famous Hammerstein Ballroom next Saturday, February the 13th.
[Read more…] about Maxximize Takes Over Hammerstein Ballroom on February 13th
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My First Time Encounter At The Electric Zoo Festival
Guest contributor- James Teal
My first encounter with the Electric Zoo Festival was on opening night of the three day electronic music festival- Friday, September 4, 2015. The theme of this year’s zoo was “Transformation” and they really did need a transformation after the backlash the festival received from the last two years after reports of multiple drug overdoses, including one death, and last year’s shut down on day 3 because, contrary to popular belief, the cause was lightning storms, not drug use. This year saw an increase in overall security- in the crowds, by the bars, by the portable toilets, and especially at the front gate.
I was greeted by friendly people wearing their best smiles and their bright pink T-mobile shirts, one of this year’s festival sponsors. Immediately after the friendly T-Mobile smiles came the search dogs and the legion of security guards at 2 checkpoints. We stood in line for a good 15 minutes while dogs were forced to walk around us. After the awkward drug sniffing police dogs, came the harassing TSA–like pat-downs. A security guard asked if I had drugs and I responded “Nope, no drugs on me.” Then again with his finger in the air, security said “I’ll give you 1 last chance. Do you have any drugs?” This time I was more annoyed and said in a pointed tone “Do I look like I have any drugs on me!?” He gave a half frown and rolled his eyes while he patted me down and let me go. From that point on, the “Transformation” began.
We walked to the MasterCard hut (another sponsor of this year’s Electric Zoo) picked up VIP wristbands, and went straight into the hilltop arena where MasterCard holders had a VIP stage overlooking the entire arena with our own bar. The MasterCard Hilltop Arena provided the best performances I saw the entire festival.
We started with Snails, a DJ from the Skrillex label OWSLA. Snails’ set placed the performance level bar so high that the rest of the day we were looking for someone with even more energy to beat his performance. One highlight from the Snails set was when the crowd exploded into fist-pumping cheers at his Backstreet Boys remix of “Everybody”. Snails manipulated the bass hook in the original song into a 2015 dance-floor ready dubstep anthem, unquestionably one of his specialties.
After the high energy of Snails, we were ready for a drink. The Electric Zoo Festival creators were smart to make wrist bands with RFID chips that hold money which you load at specific huts marked in the festival. This year’s festival saw even more food vendors, including taco trucks and Jamaican patties (yum!). However, to buy anything you MUST exchange your US Dollars for EZ Bucks (EZB) at an exchange rate of $2.22 USD for 1 EZB. At that rate a 16 ounce can of beer costs 4.5 EZB (or $10 USD), and the tacos cost 2.5 EZB ($5.50 each). The high cost of food and drinks at music festivals is not anything new, but to the average drunk-twenty-something a taco worth 2.5 EZB looks more pleasing to the eye than a small taco for $5.5. A very tricky, and very smart way of making us spend more money at the festival, not to mention it was fun to wave my wrist in front of the machine to pay for my food and drinks. I might have to invest in one of those Apple Watches soon…
Festival highlights from the main stage included eclectic afternoon sets from Don Diablo, Slander, Audien, and the hyper-exciting high-energy 3LAU. These DJs mixed and mangled, twisted and re-tuned familiar popular music with new electronic drops, including original songs, which literally made all of our hearts jump with excitement and obviously faces melted.
Back in the Hilltop Arena, Keys N Krates left people in awe after their jaw dropping live trap music performance on stage with drums and synth/keyboard. Keys N Krates is definitely a band worth catching live if you ever have the chance. The Galantis set came right after Keys N Krates.
The one and only performance which stood out from the rest on opening night was the popular Swedish production duo Galantis. The group, famous for their hit singles Runaway (U & I), You, and Peanut Butter Jelly, is comprised of Christian “Bloodshy” Karlsson and Linus Eklow aka Style of Eye. Bloodshy is famous for his Grammy winning hits with artists like Britney Spears, JLo, Katy Perry, Kylie Minogue and Madonna. And his partner, Style of Eye, co-wrote Icona Pop’s “I Love It” ft. Charlie XCX. We stood under the hot sun, in the 80 degree tent, with crowds overflowing outside of the tent (a venue too small for the duo), when the lights went down and Galantis came out to the biggest crowd the MasterCard Hilltop Arena saw all weekend. We were lucky enough to beat the crowds to get on the VIP deck and watch the action unfold before our eyes. Thirty minutes into the performance we were all dripping with sweat, and soaked! The thousands of people under the tent jumped around, danced, and watched as the Swedish duo’s performance included a pair of drum high-hats for each of them to bang on while they themselves jumped up and down and off of their turn tables. Their music transitions were less seamless and more like a pre-selected playlist strung together with awkward modulations between the sets. The awkward modulations weren’t too obvious, but enough for me to mention and for a group who will probably make even bigger hits in the future, I’m curious to see how their live sets transform after this small and intimate performance at Electric Zoo.
Most people will argue that EDM festivals are all the same and won’t matter who is on stage (because they all play the same music), but I am here to say those people are all wrong. If they’ve been to the Electric Zoo Festival – Transformed they would have seen that not all DJs are one in the same. Big-name, multi-day festivals around the world offer bigger stages and bigger crowds, while Electric Zoo focused on the smaller names, which allowed smaller stages, and in turn brought out smaller crowds. At the end of the day what every single festival does right is bring the right audience. Everyone shows excitement, dresses to impress, and shows the utmost respect for each other. The morning after opening night the intense sense of FOMO kicks in, and you absolutely must go back and experience day 2, and 3 just so you can say you saw it all. I can’t wait for the next festival.
For more info on Electric Zoo Festival, check out the official site.
Steve Porter and “Orange Peanut”. Read on.
I have had the great fortune of interviewing Steve Porter in the recent weeks. I got to know him on a much more personal level and saw how seamlessly he transitioned from EDM king to master of the viral video world.
Although his plans are to go back to his roots this year, he is still focused on doing what has made him even more successful now- making viral videos. His most noted one is the “Slap Chop” video. Now he is back and already garnering a bunch of attention for yet another amazing remix he created.
This one is called “Orange Peanut” which is a remix of the “Bad lip reading” that tends to happen a lot in the NFL. The “Orange Peanut” one comes from a memorable slip up from Minnesota Vikings star Adrian Peterson. There are several others in it that are absolutely hilarious, and Steve does an amazing job at putting it together. Take a look at the video yourself and let us know what you think! 5 star quality in my book!
Take a look at the video here!
Dance Music at the Grammy’s
Dance music has come a long way in the past decade. From music you could only hear at 5 am in NYC at clubs like Sound Factory and Crobar, to now being played out by commercialized mainstream radio. Dance music is beats and vocals dubbed together by artists who can hear melodies where others do not. Having said this, it is amazing to see these artists being honored, as musicians, at the Grammy awards.
The nominees for Best Dance Recording are all very talented DJ’s. Avicii is a great DJ who brought dance music to the mainstream when Flo Rida remixed his song Levels. Although he should be recognized for helping bring dance music to the forefront of American radio, I don’t think he deserves the Grammy this year. The Best Dance Recording, in my opinion, belongs to Swedish House Mafia featuring John Martin, Don’t you Worry Child. This song mixes beautiful vocals and lyrics with genius melodies and beats. Not only can you sing along to this track but you can also get lost in its atmosphere. Swedish House Mafia is a trio of talented DJ’s and ingenious producers. They mix just the right amount of commercial feel to get radio air time and still keep the respect of dance music lovers around the world.
The Grammy for the Best Dance/Electronica Album hands down belongs to Kaskade Fire and Ice. Kaskade is one of the few American DJs and producers to draw followers around the world. In 2011 Kaskade was voted America’s Best DJ 2011 by www.djtimes.com. The Fire and Ice album peaked at #17 on the US Charts and #1 on the US Dance Charts. Kaskade brings together different artists and other DJs in this album and still manages to keep his authentic sound. The album includes two discs’ (Fire and Ice) which contain the same tracks but mixed in two completely different ways. Fire is smooth and alluring, while Ice is loud and hard. Although the same songs, each disc feels and sounds completely unique. Kaskade deserves this award, in my opinion, and I believe will take home the Grammy this year. Although the other albums in this category are all great none has the originality and range of skill like Kaskade Fire and Ice.