Jack White

Grammy Predictions 2015- Album Of The Year

When it comes to the music industry, the Grammy Awards still remain the Gold Medal when it comes to award achievement for artists and musicians alike. Last year’s saw newcomers like Macklemore & Ryan Lewis and Lorde take the top spots in the New Artist and Song of the Year Category, whereas perennial EDM megastars Daft Punk shocked many a music fans by winning the coveted Album Of The Year Grammy with “Random Access Memories”. Now with another year in music about to close, and the Grammy Nominations out in less than a month, Manhattan Digest digest’s what will be nominated and who might be left in the dust in a year that was less than stellar to say the least. With no major artists with the exception of Coldplay, Beyonce, Jason Aldean and Eminem releasing albums this year, the music industry was run by throwaway pop tracks and one hit wonders in the making (Sorry Meghan Trainor). That being said, there were some stellar exceptions that I hope that Grammy’s notice and crown this year- some who are overdue, some who are new, and some who have been here before and deserve it again. Today, we look at the potential noms for Album Of The Year.

Beyonce, Manhattan Digest — Credit to: HipHopDX

Album Of The Year at the Grammy’s can be tricky. Sometimes they get it right (Mumford & Sons, Daft Punk, Adele) and sometimes we don’t know where they are coming from (Steely Dan, Herbie Hancock). Sometimes, they miss the ball completely, like last year when Justin Timberlake didn’t even get nominated in a category that many people thought he would’ve won. This year, the inevitable nominee and winner is simple- Beyonce. Beyonce has been in this category before, losing a couple of years ago to Taylor Swift’s “Fearless” over her insanely good effort “I Am… Sasha Fierce”. However, with her self titled debut this year, she really doesn’t have any competition as this album was one of the biggest music stories of the year. With no one knowing it was coming out, she quietly released this on a cold December night and drove the album to platinum status in less than two weeks, and outselling her previous effort “4” shortly after. The album spawned several huge singles (some will be discussed later), has insatiable duets with artists like Drake, Frank Ocean and her hubby Jay-Z and received generally positive feedback from fans and critics alike. No doubt the winner in my mind.

Frozen Soundtrack, Frozen, Manhattan Digest — Credit to: Wikipedia

Others who could be huge contenders? Obviously, The “Frozen” Soundtrack for many reasons. Oscar winning, highest selling, songs parents and like minded people alike can’t get out of your head equal Grammy goodness. This is the first soundtrack in several years though that really can be a strong contender in the main categories so be on the lookout for this to be nominated several times throughout the night.

Eminem, Manhattan Digest — Credit to: Pretty Much Amazing

Hip-Hop this year wasn’t exactly stellar whatsoever. Last year had so many memorable people come out of the wood works with fantastic first efforts (Macklemore & Ryan Lewis, Kendrick Lamar) and icons who kept churning out some amazing tracks (Jay-Z, Kanye West). The sad fact that the biggest star in hip hop this year may have been Iggy Azalea says a lot about that industry and hopefully there will be some recharge in 2015. That being said, Eminem should no doubt be the 3rd nominee in this category with “The Marshall Mathers LP 2”. As someone who grew up when Eminem was really at his peek in so many different ways, I find it fantastic that 15 years after we first heard “The Real Slim Shady” he is still incredibly relevant and hip with a younger crowd that is just discovering what an epic rapper and legend he is. Whereas he had a better shot of winning this award years ago with “The Eminem Show” and the first Marshall Mathers LP” it would be a surprise if he was left out in this category.

Sam Smith, Manhattan Digest — Credit to: Wikipedia

The other two could be difficult to choose. One new artist who has gained quite a huge following this year is Sam Smith, who broke through with his gold selling “In The Lonely Hour”. A powerhouse on his own, Sam blasted through the charts with his first single “Stay With Me” as well as working with other fantastic artists such as Disclosure (“Latch”) and one of my favorite artists and tracks of the year, “Lalala” by Naughty Boy. He is this year’s big British import, sort of the male Adele when it comes to the impact that he has had on the industry. His music style is very eclectic, with tinges of pop, R&B and adult contemporary all mixed in one. He’s a surefire lock for Best New Artist without a shadow of a doubt, however don’t be surprised if he is able to seep his way into the pivotal Album Of The Year category at the Grammy’s.

Coldplay, Manhattan Digest — Credit to: Wikipedia

Jack White’s “Lazaretto” seems poised to be the fifth and final nominee in this category. Jack, mainly known for his epic band “The White Stripes” is no stranger to this category having being nominated two years ago for his effort “Blunderbuss”. The 9 time Grammy Award winner’s Rock efforts paid off for him tend fold this past year, with “Lazaretto” receiving stellar reviews from the top publications and debuting at #1 on the Billboard 200 Chart. If Jack doesn’t get the lock for Album Of The Year don’t be surprised if Coldplay takes the fifth spot for “Ghost Stories“, which is one of the highest selling albums of this past year. the 7 time Grammy Award winners lit up the charts this year with “Sky Full Of Stars” amongst other hits, and have been Grammy favorites in the past with “Clocks” winning Record Of The Year over ten years ago. Don’t expect Coldplay to take this award but expect multiple nominations for both “Stars” and “Ghost Stories” for sure.

Who do you think will be nominated Check out the Grammy official website for more info.

Jack Skuller interview- the one to watch out for

by Ryan Shea

As someone who has been doing this whole “music journalist” thing for three years now, I have been able to interview some of the biggest names in the industry and some up and coming ones. I have never though, found someone with as much raw and amazing talent as Jack Skuller. The fresh faced 17 year old, who was born in Manhattan and now lives in the Hoboken area was brought to my attention recently and I was immediately blown away by his amazing talent. He is doing something that no one else is doing in the industry by taking a 50’s kind of throwback appeal and making it into some truly freaking amazing modern type of music. I sat down with him a couple of days ago to talk about his past, present and ultimately his huge future as an artist and someone that in due time people will admire and look up to. Take a look.

How old were you when you decided you wanted to take music seriously?

I was very young, around 8. Just going to a bunch of different shows and my dad being a musician was what I was exposed to the most.

Who are some of your musical influences?

A variety of ones like The Everly Brothers and Eddie Cochran. I really go back to the 50’s to get a lot of my inspiration so others like Elvis Presley are big for me. On a more modern take I really love The Black Keys and what they are doing now.

How would you describe your sound?

My sound it’s vintage pop, it’s rock and roll when you get down to it. It is where I get my influences. That’s what I love, that’s what I breathe is rock and roll man.

Who do you get comparisons to the most?

What’s funny about that is that I usually don’t hear a certain name. I’ve heard Jack White and John Mayer for example, but sometimes I think people have a hard time tagging me and I think that’s because what I am doing is really different. I do feel very honored when people compare me to Jack, I love him and his music. Buddy Holly is another one too.

When I hear the song “Tell Me Your Heart” I instantly get drawn back to the music of the 60’s and even 50’s. Is that the zone you want to head into musically?

You can call it a throwback, but really for me it is my sound. When I hear my own music and making my own music, a lot of my influence comes from that time but I really am not thinking of it as a throwback. I am thinking about what I can do this to make this me, my sound and what I do. In the end it is what it is, and it’s everything I know and appreciate and listened to.

How important do you feel it is nowadays to be not just a singer but a singer songwriter?

For me, I know that for a long time I have wanted a music life. I wanted that to encompass my entire life. And I think for someone like me who wants that, songwriting is very important. It’s important for you to do as much as you can for yourself, because it in today’s world it is more vital than ever. You can’t just do music and not really know about other things. It is always to your benefit to know to write songs, play as many instruments as you can and have a bigger knowledge of the craft.

Are there other singer/songwriters that you respect and would love to work with?

I would love to work with people like Jack White and Gary Clark Jr, because I look up to those people a lot.

If you had to do a dream duet with anyone who would it be?

I would have to say the king, Elvis. I mean, imagine everything I could take from that, even preparing for the duet and all the stuff that would go into it. It would just be incredible.

Tell me about your other songs you are making. Do they have a similar feel to “Tell Me Your Heart?

I’m always thinking about how I can grow and move to a new place while keeping my sound and keeping who I am as an artist. I always try to keep a consistency in my songs and I have done that since I was 11 years old yet always try to do something new and find inspiration. I recorded a few songs recently and I like to take a really big part in making my music, that is very important to me.

What is the one thing that you want your fans and readers of this to know about you?

What I want people to know about me as an artist I think is that I am still a real person. Sometimes people put a wall between artists and listeners, and I am a real and honest person that just happens to love what I do. I get so lost in the enchantment in what I do and what I am passionate about and ultimately this is what I want to do forever.

Want to know more about this talented guy? Check out his site and be on the lookout for him in the near future.

55th Annual Grammy Awards Live Coverage!

by Michael Tyminski

8pm Eastern Time tonight, CBS

CBS standards and practices is desperately trying to avoid a repeat of this (Photo Source: Wikipedia)

7:30 pm Eastern: Good Evening! Welcome to what will be the first of many Manhattan Digest awards ceremony liveblogs! LL Cool J hosts the ceremony, which starts at 8 pm Eastern time on CBS. This should be an interesting evening tonight, with the Album of the Year award showing a surprisingly rock heavy slate with Mumford and Sons’ Babel, Fun.’s Some Nights, The Black Keys’ El Camino, and Jack White’s Blunderbuss, with Frank Ocean’s Channel Orange being the sole R&B outlier. Personally, I think that Babel and Channel Orange are the clear favorites, with Channel Orange being my pick to win the whole thing.

That being said, I’m here mostly to look at the show in terms of its’ presentation than to heavily critique the award choices themselves. The Grammy’s are known mostly for being the safest show on the February awards season, often only garnering attention for a killer performance (such as Elton John and Eminem’s killer performance of “Stan” in 2001), or some truly horrendous fashion calls (see Jennifer Lopez’s infamous green dress from the 2000 show). The latter is under intense scrutiny this year, as earlier this week CBS standards and practices sent out a letter vilifying the use of thongs or costumes that allow for exposed “breasts and buttocks”, singling out that earth-shattering corrupter of morals: the thong. Needless to say, my gut instinct is telling me that someone is going to find a way to defy this (odds on favorite here? Rihanna).

I would love for tonight to be a dialogue as we all react to the show together (and get different opinions at the same time), so feel free to use the comments section below and get involved in the conversation! Stay tuned to Manhattan Digest for more updates as the ceremony unfolds!

Taylor Swift at the Grammy Red Carpet (Source Grammys.com)

7:45 p.m.: Some early updates from the red carpet. Generally speaking it looks like the artists are complying with the S+P guidelines, with only a handful of particularly deep plunging necklines (including Miranda Lambert and Ashanti). Similarly the men seem pretty buttoned up, with a surprisingly large number of skinny ties. I think Taylor Swift’s dress was pretty impressive from a fashion standpoint. Conversely, Adele’s floral print design leaves a lot to be desired.

For me though, the highlight of the red carpet was Jennifer Lopez’s angry shrieks of protest after Ryan Seacrest noted that her dress was skirting the lines of what CBS was allowing screaming “I’m just showing a little leg and a little shoulder!”.

7:57 p.m.: Three minutes to the curtain and a large number of the awards have been given off camera already. Notable award winners included Gotye (who won two awards including Best Alternative Music Album, and Best Duo/Group Pop Performance – the latter with Kimbra for “Somebody that I Used to Know”), Skrillex (who also wont two awards for Best Dance Album and Best Dance Recording both for Bangarang), Rihanna (for her video for “We Found Love”), and Taylor Swift (for Best Song Written for Visual Media ).

Additionally it was announced on the red carpet that Ms. Swift will be the opening performance tonight, so expect to see her on your TV screens sometime in the next few minutes.

8:15 PM: And on cue we open with a weird man on a bike with a torch to introduce Taylor Swift who opens the show with “We are Never (Getting Back Together)” in a very sideshow circus vibe that involved a boyfriend strapped to a carnival wheel, trapeze artists, fire spinners and a large amount of pyrotechnics. The performance itself was pretty mediocre in spite of the spectacle, but it seemed like a fine way to amp up the crowd for tonight’s show.

Afterwords, we see our first appearance of show host, LL Cool J. He devotes his somewhat meandering opening monologue discussing music as a vehicle for bringing people together before pitching it to Eddie Sheeran and Elton John to perform Sheeran’s song “A Team”. I love Elton John as much as anyone, but it seemed like he was off for most of the song and it adversely affected the vocal harmonies. I did enjoy the off in the crowd staging aspect that they used, as it seemed to highlight the “lighter song” vibe that one gets when listening to “A-team”.

Fun. Performing Carry On (Source Grammys.com)

8:27 PM: LL Cool J asks us to use #Grammys when talking about tonight’s show before kicking it to J-Lo and Pitbull (with a split screen to the infamous green dress from 2000) with Pitbull fawning over J Lo before announcing the nominees for best solo pop performance:

The nominees are:
“Stronger” (Kelly Clarkson), “Set Fire to the Rain” (Adele), “Wide Awake” (Katy Perry), “Call Me Maybe” (Carly Rae Jespen) and “Where Have You Been?” (Rihanna)

AND THE WINNER: Set Fire to the Rain by Adele.

Adele gives a very brief speech (in which she called back to last year’s six wins) before Neil Patrick Harris enters to introduce Fun. (whom have six nominations this evening). Fun. then took the opportunity to play “Carry On.”, which started a little slow but picked up once the instruments kicked in. Once it built, we got a performance with a very strong cinematic vibe, including the obligatory downpour towards the end. One thing did bother me about the performance however, and that is why frontman Nate Ruess wore those Capris?

8:48 PM: Bonnie Raitt and John Mayer appear to introduce Miranda Lambert and Dierks Bentley. The duo play a couple of country tracks in “Over You” and “Home”. Their performance was perfectly fine and fairly low key compared to the immediately preceding performance before cutting to LL Cool J on American Bandstand in an awkward transition. LL then takes the opportunity to pay tribute to Dick Clark.

LL Cool J then makes an another abrupt transition, introducing Miguel and Wiz Khalifa, whom perform “Adorn” . The performance was sizzling, with Miguel showing off his pipes and performing the standard issue R and B theatrics. From there, our performer then announced the nominees for…wait for it…best country solo performance (because that made sense to me too right?)

The nominees for best country solo performance:
“Home” (Dierks Bentley), “Springsteen” (Eric Church), “Cost of Living” (Ronnie Dunn), “Wanted (Hunter Hayes), “Over (Blake Shelton), and “Blown Away” (Carrie Underwood)

AND THE WINNER IS: “Blown Away” by Carrie Underwood.

8:58 PM: LL Plugs social media again before telling everyone in the Northeast to stay warm and kicking it to Tim McGraw and Faith Hill, whom are presenting song of the year.

The nominees are: “Adorn” (Miguel), “The A-Team” (Ed Sheeran), “Call Me Maybe” (Carly Rae Jespen), “We are Young” (Fun. Feat Janelle Monae), and “Stronger” (Kelly Clarkson).

AND YOUR WINNER: “We Are Young” by (the now completely dry) Fun.

Nate Ruess gives a speech that has the first real crack of the night in “I don’t know what we’re thinking writing this chorus, now that we’re in HD and you can see our faces, we are clearly not young.”. They then thank Jay-Z (who mouths a “You’re Welcome” from the crowd) and Chick Corea before the orchestra kicks in to introduce Johnny Depp. I want them to win more awards now because they are clearly the only people so far who have not taken this awards show too seriously tonight.

Depp is there to introduce Mumford and Sons in 20 words or less. They play their hit “I will wait” in front of a large display of lights and had an excellent performance aside from some sound issues that seemed to keep the backing vocals from coming through, though the remainder of the sound was very impressive.

Justin Timberlake performs at the 2013 Grammy Awards (source: Grammys.com)

9:15 PM: We return to Ellen Degeneres and Beyonce (in a pantsuit tonight) whom do a shticky introuction for Justin Timberlake, whom is here to perform “Suit and Tie”. The screen goes black and white, which is probably not a right call because it makes Justin Timberlake look disturbingly like Rick Astley. Jay-Z then climbs on stage to perform his verse. The screen then goes color befor Justin does a new song with a full orchestra and band (Update: The song is titled “Pusher Love Girl”). All internet memes aside, the performance is excellent and realizing the irony in saying this about someone whose only a few years older than myself, he still clearly has it.

Following that performance, we next see presenters Kelly Rowland and Nas, whom announce the nominees for a new category: Best Urban Contemporary Album

Fortune (Chris Brown), Kaliedoscope Dream (Miguel), Channel Orange (Frank Ocean)

AND THE WINNER: Channel Orange by Frank Ocean

9:30 PM:

During the commercial, we saw a hard release date for Justin Timberlake’s new album, which will drop on March 19^th.

Dave Grohl and Pauley Perette (Abby from NCIS) whom are here to announce that Dan Auerbach won producer of the year earlier in the day, before presenting the award for best Rock Performance

“Hold On” (Alabama Shakes), “Lonely Boy” (The Black Keys), “Charlie Brown” (Coldplay), “I Will Wait”, (Mumford and Sons) and

“We take care of our own” (Bruce Springsteen).

AND THE WINNER: “Lonely Boy” by the Black Keys

Following that, Maroon 5 and Alicia Keys perform “Room on Fire” and “Daylight”. While Maroon 5’s performance of Daylight was fine, “Girl on Fire” felt a little flat at points. This was a bit troubling as if there are two vocal artists who not only can, but are expected to let their vocals soar, it’s Adam Levine and Alicia Keys.

Kaley Cuoco and Keith Urban next came out to introduce the award for “Best Pop Vocal Album”. The nominees were:

Stronger (Kelly Clarkson), Ceremonials (Florence and the Machine), Some Nights (Fun.). Overexposed (Maroon 5), and The Truth About Love (Pink).

AND THE WINNER: Stronger by Kelly Clarkson

Kelly comes up and wings an acceptance speech, where she mentions being “stuck to Miranda Lambert” and expressed interest in working with Miguel. It was truly spontaneous and very welcome in this very overstuffed and seemingly overscripted show.

9:55 PM: After a performance from Rihanna that had shades of Adele’s performance of “Someone Like You” from last year, Carly Rae Jespen and Ne-Yo come out to present the award for best Rap/Sung collaboration

“Wild Ones” (Flo-Rida f. Sia), “Tonight” (John Legend f. Ludacris), “Cherry Wine ‘ (Nas f. Amy Winehouse), “Talk that Talk” (Rihanna f. Jay Z), and “No Church in the Wild” (Jay-Z/Kanye West feat. Frank Ocean and the Dream)

AND THE WINNER: No Church in the Wild by Jay-Z and Kanye West featuring Frank Ocean and the Dream.

In a classy move, Jay-Z gave most of the speech to Frank Ocean and the Dream, whom both give quick shout outs. Jay-Z on the other hand, simply thanks “The swap meet, because that’s where he (The Dream) got that hat.”

10:02 PM: The Lifetime Achievement award was announced with The Temptations, Carole King, Ravi Shankar, Patty Page, Glenn Gould, Charlie Haden, and Lightning Hopkins amongst the recipients.

After the break, Kat Dennings comes out to introduce the Black Keys, Dr. John, and the New Orleans Preservation Hall Band. All parties involved come out rocking, performing the Black Keys’ hit “Lonely Boy”. While I am typically not a fan of brass instruments in Rock Music. Adding to the proceedings was Dr. John, whom was dressed about as outlandishly as one could possibly be on a grammy stage, in full Hoodoo gear. It was a great performance, I do with it would have highlighted Dr. John a little more.
This was then followed up by Kelly Clarkson performing a medley including “Tennessee Waltz”, “Natural Woman”, in order to honor Patti Page and Carole King. This then segued into the nominations for best country album.

The nominees are: Uncaged (Zac Brown Band), Hunter Hayes (Hunter Hayes), Living for a Song: A Tribute to Hank Cochran (Jamey Johnson), For the Record (Miranda Lambert), The Time Jumpers (The Time Jumpers)

AND THE WINNER: The Zac Brown Band’s Uncaged.

Bruno Mars and Rihanna during the Bob Marley Tribute (Source Grammys.com)

10:13 PM: We now get the Grammy’s tribute to Bob Marley with Bruno Mars, Sting, Damian and Ziggy Marley. The tribute started with Bruno Mars, who performed his hit single “Locked out of Heaven”. After the first chorus Sting came out in a fun moment as “Locked out of Heaven” is really Bruno Mars’ attempt at writing a police song. This then segued into The Police’s “Walking on the Moon”. This performance has been the best of the show so far, as Bruno hung out there with Sting and didn’t look out of place, though it looked like Sting initially hindered by the fact that “Locked out” was sped up.

Midway through the performance, Rihanna, Damian and Ziggy Marley came out and performed “Could You be Loved”. This actually created a largeness to the performance that made it feel more worthy of the Grammy stage, eclipsing even Rihanna’s prior appearance 15 minutes earlier.

10:30 PM: LL introduces The Lumineers, whom perform their hit single “Ho Hey”. The performance seemed perfectly servicable, and it seems like they have fixed the microphone problems from earlier. This then swept into Jack White’s performance of “Love Interruption”. After the completion of “Love Interruption.” Jack then exploded into “Freedom at 21”, giving the perfect loud kick after two quieter songs.

Katy Perry is now out to present the Best New Artist award. She marvels at the dedication it takes to get to that point before offering a little solace for those who didn’t win, saying: “I didn’t even get nominated for best new artist, but now I have my own eyelash line!”

The nominees are: Alabama Shakes, Fun., Hunter Hayes, The Lumineers, Frank Ocean

AND THE WINNER: Fun. (Fun has taken two Grammys tonight, I think they are now very much in the discussion for Album of the Year).

I think this one is a little bit of a shocker, I was pretty sure Frank Ocean was going to be a mortal lock for this one.

Hour three right now seems to have been a lot kinder to this show than the first two hours.

Carrie Underwood and her projection screen dress (Source: Grammys.com)

10:45 PM: And apparently I jinxed everyone (sorry!).

Hunter Hayes is out to sing (I wasn’t impressed, but I’m not a country guy) before introducing Carrie Underwood, who then sung two of her songs. Carrie’s vocals did not feel particularly impressive, but the lighting for this was particularly impressive as they used Carrie’s dress as a proxy for a projection screen, allowing for a neat visual that worked out superbly.

After this, Prince made a rare appearance to present Record of the Year, looking like a hybrid of Michael Jackson, Stevie Wonder, and Puff Daddy.

The Nominees are:
“Lonely Boy” (The Black Keys), “Stronger” (Kelly Clarkson), “We are Young” (Fun.),“Somebody That I Used to Know” (Gotye f. Kimbra), “Thinking About You” (Frank Ocean), “We are never ever Getting Back Together” (Taylor Swift).

AND THE WINNER: “Somebody That I used to Know” by Gotye f. Kimbra.

11:04 PM: We come back to “Take Five” (no introduction, but it’s one of my favorite Jazz songs of all time, so uh, I know it…and now you do too.) for what I’m assuming is the tribute to Dave Brubeck as performed by Chick Corea, Stanley Clarke, and Kenny Garrett.

Neal Portnow and Ryan Seacrest (who’s now the honorary chairman of the Grammy Foundation) are out to introduce Justin Timberlake. Mr. Timberlake comes out to shill for the Grammy Foundation and the new “music educator” award.

We now get the in Memorian Montage, which includes Dave Brubeck, Donna Summer, Andy Williams, Chuck Brown, Robin Gibb, Patti Page, Davy Jones , Dick Clark, Fontella Bass, Hal David, Marvin Hamlish, Richard Adler, Andy Griffith, Ravi Shankar, Adam Yauch (Adrock of the Beastie Boys), Levon Helm and others. Looking back at that last sentence, it seems like every genre of music took a heavy loss in 2012.

This then leads to a tribute to Levon Helm fronted by Elton John, Zac Brown, Mumford and Sons, T-Bone Burnett, Mavis Staples, Brittany Howard of Alabama Shakes as they played “The Weight”. This performance had a looser jam band performance due to the larger nature of this collaboration. Elton seemed a lot stronger in this performance than his earlier performance with Eddie Sheeran. This performance is easily in the upper echelon of performances tonight.

11:18 PM: We return to Juanes paying tribute to Elton John singing “Your Song” in English and Spanish in a very intimate acoustic vibe before kicking it to Frank Ocean, who’s performing his single “Forrest Gump”. They start with a cool visual effect where Frank is running on a video screen before completing his run up a hill to his keyboard in person. Frank wrenched a ton of emotion into this one and it created an excellent and haunting performance

We’re down to one last award, Album of the Year, and Adele is here to award it after making a quick crack about she got knocked up after winning Album of the Year last year.

The Nominees are:

El Camino (The Black Keys), Channel ORANGE (Frank Ocean), Blunderbuss (Jack White), Some Nights (Fun.),Babel (Mumford and Sons)

AND YOUR WINNER: Babel by Mumford and Sons.

A pretty deserving winner and one of my favorites from earlier. They managed to spread the love around somewhat with only Jack White not making the winner’s podium during the course of the show tonight.

11:42 PM: We’re down to the grand finale, a performance by LL Cool J, Chuck D, Tom Morello, Travis Barker, and DJ Z-Trip, whom performed “Whaddup”, which was a fun way to end the show if only because Chuck D’s voice IS rap to me, and LL was game. It was a pretty solid performance and I would kill to see the single, though it would not have killed CBS not to stick fee plugs in the middle of the song.

My Final Thoughts: This year’s Grammy ceremony felt a little overstuffed with tons of abrupt transitions and sequences and with a little bit of breathing room we could have cut some of the weaker performances (notably the lacking Maroon 5/Alicia Keys collaboration and Hunter Hayes’ introduction of an introduction). Additionally, at times the show had a somber, joyless feel at points during a night that should be the biggest party for the music industry of the year. That being said, what you expected to deliver did deliver (the Marley and Levon Helms’ tributes, as well your Album of the Year candidates’ performances), so check out those seven performances.

Also some enjoyable moments I didn’t get to point out amid the I Love Lucy Conveyor Belt pace of the show:

Taylor Swift was rocking out to EVERYTHING. I’m not sure why, but this is really amusing to me.
The full extent of Kelly Clarkson’s gushing about R+B artist Miguel
Once the show hit hour three and it slowed down a little bit, it seemed like the show was able to gel a little more as the orchestra wasn’t cutting off awards speeches at the 30 second mark as it did for Fun.’s first speech

Final Verdict: If you haven’t seen the whole show, it’s probably not worth watching all three hours. You owe it to yourself to YouTube up the Marley tribute though, and I would probably check out Fun.’s , Jack White’s, and the Black Keys’ performances as well. LL Cool J was passable as a host, but the role of host honestly felt superfluous with the rapid pace that the show took.

Jack White

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