I came out when I was 14, and at the time, there weren’t a whole lot of options for me to meet like-minded teens and young adults. The internet was in its early stages, which meant I didn’t know much about chat rooms and the like (thank the gods, in a way, for that). What I did find, however, was a Houston based group for LGBT teens and the local gay coffee shop, Crossroads (r.i.p.). [Read more…] about Why We Still Need Queer Coffee Shops
OPINION
Theater Review: BURQ OFF
Bravery expresses itself through many faces, but the struggle to actually reveal this face can take years. For Nadia P. Manzoor,the revelation has come in the form of her one woman show BURQ OFF, in which she astoundingly portrays 21 characters from her rigid Pakistani Muslim home in the small English town where she was raised.
As a child, Manzoor peered through her bedroom window, hoping to become an astronaut. Yet, in a culture where little is encouraged besides motherhood and becoming a dutiful wife, such dreams are not an option. Imitating both her mother, father, brother, grandparents, and other family members, Manzoor reenacts the rule driven environment she had to endure on a daily basis.
Like any rebellious child, she vehemently fought against authority to carve her independence. Actions which included dating a non-Muslim boyfriend, getting drunk, and having sex were all part of the equation. At the same time, she struggled to blend in with her fellow Brits, many of whom failed to find understanding or compassion with her and her family.
Manzoor’s journey begs to ask the question, “It is possible to show respect and understanding for a religion when their steadfast laws often manipulate and oppress?” Though she physically moved from her childhood home and has shrugged off the dogma of Islam, she maintains respect for certain aspects of it and acknowledges that it has turned her into the woman she is today. Clearly that answer is “Yes”,
Moments with her mother are particularly touching and make clear the fact that, in spite of her daughter’s defiance, her mother found it in her gentle heart to finally empathize with her choices and, in a quiet way, lived vicariously through Nadia.
Director Tara Elliot, set designer Mitchell Ost, and Manzoor herself have created a swift, vivid, thought provoking, and sometimes humorous true tale that will leave you wanting more. Fortunately, Manzoor is working on a second show, so satisfied audience members will get their wish.
For tickets and more information, visit http://nadiapmanzoor.com/on-tour/#about
10 Years Since My Mother Passed- What I Have Learned
Death, just like taxes and change, is something that is inevitable in one person’s lifetime. The word “death” can have a variety of meanings but in this case it means losing a loved one due to circumstances we ourselves can’t control. For the first eighteen years of my life I never experienced death on a level where it would take me to places mentally, spiritually and physically like it did five months after my eighteenth birthday. However the loss of my mother Lisa, who tragically passed ten years ago on December 23rd due to complications with Brain and Breast Cancer, completely changed my view on how I saw death and ultimately life after it. For someone like me who had a pretty happy childhood to a fantastic teenage life to so many questions unanswered over something that turned out to be my Kryptonite, there has been a lot that I have learned in the decade since my mother has passed. Now granted, everyone deals with these sorts of issues differently. This has just been my experience and my advice on what one could do after they lose someone who meant such a great deal to them. The bottom line for me throughout it all is that from the ashes of your loved ones will arise something so much more powerful for you as a person to figure out.
I should start by giving you all a peek into events leading up to her passing. For me growing up in Long Island had its perks and privileges but when it came to having two amazing parents I couldn’t have asked for more than what my father and mother did for me. Both came from parents who consistently told them they weren’t enough and they were never going to make it in life, and something that I am eternally grateful for is that they broke that cycle and told me and my sister nothing was out of our reach. My mother developed a knack in her cooking abilities and turned that into a successful catering business as well as working at some really fantastic local restaurants in the Huntington area. Her goal was to eventually move to Cape Cod, open up her own restaurant and enjoy some peace and tranquility outside of her hectic schedule on Long Island. Late in 2003 she developed massive migraines and checked herself into Huntington Hospital, where she discovered that she had multiple brain tumors and they were somehow connected to her breasts. You know, because in these situations its even better when its buy one, get one right? Ugh.
When I found out that she had this it was more disbelief than anything else. I had my friend Katie’s party to go to that night, and the last thing I really wanted to see was my mother in some hospital bed dealing with something that I personally never thought would happen to her or any of us. My father had stage one kidney cancer when I was 14 but they got that sucker out of there quick and he has been fine ever since (a little crazy at times, but who isn’t?). I was in a huge amount of denial which stayed with me until a month later when her own hair was falling off her head very quickly. She finally decided one day to shave all of it off, which was the first time where I finally said to myself, “Shit. This is real”. Throughout the year she had her ups and downs and was able to see a lot of vital moments for me such as my prom, graduation and first day of college in which she was in good spirits and seemed fine. Then things took a turn for the worse, and this was when my life would change forever.
When I came home for Thanksgiving my mother was still in good shape. Her peripheral vision was a bit off, but for the most part everything was still in tact mentally. When I came home for winter break the month after that was when everything went downhill. The medication she was taking wasn’t working anymore, she was throwing everything up she put in her mouth including the water to take her pills. It was too much for all of us to handle. I told her that I believed the tumors came back in her brain, even after all the radiation and chemo, and that we had to go get her an MRI asap. She agreed, and the day we were going to go she collapsed in the shower and had to be taken to the hospital. This was my Kryptonite. The one thing that I couldn’t do in my life was save my mother from the physical torture this cancer put her through, and that was never more of a reality then when I had to drag her out of our shower and onto her bed because she lost feelings in her legs. Here is a lesson- for anyone who is fighting with their family/friends over petty shit, read and reread this paragraph in particular because it pails in comparison to when life gets really tough like this. In other words, get that stick out of your ass and get over it.
Two short days later on December 23rd she passed away around 7:00 PM. The hospital didn’t even know that she passed so to add insult to injury we had to discover her that way right when we walked in. A common thing that people have told me over the years is the following- “I don’t know how I would be if I lost one or both of my parents”. I didn’t either, until my father nodded his head after my sister and I were excused from her hospital room that she in fact, died. It is a rush of emotions that I have never experienced before, and something that quite frankly I don’t want to experience again for a very, very long time. For me, it felt like something took over my body and I couldn’t get it out. The rest of that night, week and months to come are a blur for me minus a couple of key parts. To believe that it has been ten years now is something that is shocking to me because I go through moments where it feels not so long and then there are times that it feels eons away from me. Throughout it all, I have learned some pretty great life lessons due to her passing. There are many I have left to learn, but that is what life is for really is to figure them all out.
You find out who really is there for you in the long run, not just for the time being. Go through something like death, especially when it is this close of a loved one, and you will truthfully see who is there for you. What really floored me was the people who came out of the woodwork and stuck by me over the past ten years, many whom I wasn’t even close with growing up. Others were people I was close with and simply didn’t have time when I needed them during a weak moment or even just to talk, and that to me shows a huge sign of insincerity and immaturity all wrapped in one. I can say now ten years later that I am happy with the people I have in my life, some who were there before she died, some emerged right after and some who never met her but have been ride or die for me since then. My mom always told me it wasn’t the quantity of friends that you have but more the quality. I can say wholeheartedly that statement couldn’t be truer and I am beyond content with my friend situation right now.
Don’t sweat the small stuff. When going through something this can be tough and exasperating, you find yourself in a constant struggle to see the happiness in things. Especially shortly after. Life can get tough but something that I have said for such a long time is “What this tragedy has taught me is that this will be quite possibly the worst thing that I can go through in life”. When you have visibly seen your bottom, gone through it and come out the other side with a positive attitude, everything else can fall at the waist side and be handled accordingly.
Your life doesn’t end just because someone else’s did. This took me roughly two years to really understand that particular statement. I had to head back to college roughly a week and a half after my mother had passed away, against my own personal wishes as I didn’t feel like I had enough time to grieve what exactly just happened. But I went back to Providence as a way to distract myself from the reality of the situation. Each time I would come home for a break or weekend there was a part of me that really believed this whole thing was a hoax and that she was going to be there greeting me with opened arms. Each time I was wrong and in a way was let down. Finally, one morning during junior year, I woke up and surrendered the fact that she isn’t going to be here for me in the physical presence. I don’t know if it was a dream or just a foregone conclusion, but at that point I decided that my life was worth living and to not let the death of my mother consume my every thought. You have to move on and continue doing what is best for you and not let a circumstance you had no control over take you down. It will only hurt you in the long run. Trust me.
Talk to a therapist. I was against this whole aspect originally because my thought process was, “They don’t know me, or her, how can they tell me how to live”. Shortly after my mother passed away I started seeing a therapist weekly through my college which after initial hesitation turned into something that was quite therapeutic for me (PUN!). They are an unbiased source that listens to your issues and helps you along the way. My particular therapist also lost their mother recently at that point so I felt like I had someone to relate to in a time where I felt very alone in this. I saw him on and off for a couple of years, but if you find the right therapist suited for you it can work wonders for your mental well being.
No matter what, have the belief they are still there with you. Hands down the most important lesson that I have had to learn, even forced myself to learn at times. Life is cyclical. It has its ups and its downs, and its ultimately up to you to make your destiny. I have had my doubts about believing in god and all of that, but I am a firm believer that my mother is watching over me somehow as she has seen me through my toughest of times. It may be the spiritual side of things for me but I know she is there and my hope when I eventually pass is that on some level we will be reunited.
Love you Mom. Miss you every day.
Andy Cohen’s “The Andy Cohen” Diaries- Review
“Andy Cohen’s Got The 411” couldn’t be truer in this novel
I for one am a self confessed Bravo addict. I don’t know when the addiction began, but it is real and true. Part of that addiction is the man at the helm of this article, Andy Cohen. Andy, who only a mere couple of years ago was only known for being a producer of content for Bravo TV, emerged as a contender in late night programming with the wildly successful “Watch What Happens Live”. He has also been the host for the riveting “Real Housewives” reunions, as well as developing some of our TV mainstays such as “Top Chef” and “The Millionaire Matchmaker” to name a few (not on this list- “NYC Prep”. Yikes Andy Cohen. Bloop). With all the success that Andy Cohen has had over the past couple of years, both on and off camera, he has taken his crazy life stories and written about it in two books. The first one was released earlier this year, titled “Most Talkative: Stories From The Front Lines Of Pop Culture”, which chronicled how he got to where he is now. He recently released his second book titled “The Andy Cohen Diaries” which gives us a day to day visit into his life and the totally exciting chaos that ensues on a daily basis. As much fun as the first book was to read, I was totally excited to read “The Andy Cohen Diaries” as it would give me a better glimpse into someone who I view as a bit of a hero when it comes to making yourself in this world. I got that, and so much more.
There are a lot of facets that I love about Andy Cohen just from reading this book. There are times while reading it where I genuinely get a Kathy Griffin vibe from him, meaning that he is really the celebrity for the people and that he is just one of us. What I mean by that is when he details his nights at “Watch What Happens Live” & when a big celebrity appears, he wants to make sure that everything goes well in order to make sure the night runs smoothly (See: Will Ferrell, Steve Carrell, even Shaq). It comes off as a mixture of wanting to be a good host yet also wanting to make sure that the audience watching at home and in the studio is having a good time, which comes across as genuine and that he really cares. There is even a part in the book where he worries about becoming a self obsessed narcissist as he has heard that it is near impossible for other late night hosts not to get that way. Very interesting.
The book sometimes really does read like Andy Cohen is the gay male version of Carrie Bradshaw, most notably noticed by Sarah Jessica Parker herself as written on the back of the book. From reading this book it seems like Andy leads quite the glamorous life, with hosting fantastic events, attending some of the best bars and clubs that New York City amongst other cities has to offer, and hanging around some huge A-listers as a genuine friend to (Kelly Ripa, Anderson Cooper, etc). Something that I love about these parts of the books are the normal people that he meets along the way, such as “Baby Jane Flight Attendant” on his trips to LA and his “future husband” that he meets on at trip that coincidentally lives in the same building as him. His also honest take on how New York City has become completely commercial is a huge breath of fresh air, especially when it is something many New Yorkers like myself have been noticing for years. So when he brings up the greedy landlords that keep closing some of the best restaurants in New York City down due to price hikes to make way for yet ANOTHER Duane Reade or TD Bank, it is just another reminder of why NYC is not what it used to be. Kudos to Andy Cohen for bringing that up.
It to me is so funny that the theme song to “Watch What Happens Live” starts with “Andy Cohen’s got the 411”, which couldn’t ring truer in this novel. The 411 meaning the biggest name dropper of 2014. There are so many names that Andy discusses in this book, both inside and outside of the housewives realm. Something that I wish he could’ve been a little more open on are the housewives that got fired and he omitted their names while discussing. That would’ve made this book even more salacious as a lot of us would love to know his true opinions on the Housewives, although he seems to play favorites (Nene, Brandi, etc). That being said, some of the highlights for name dropping is his cavorts at “The View”, most particularly his epic visit when Barbara Walters read him the house down for his assumption that her generation didn’t understand “American Hustle”. Yikes. Of all the name droppings in the book (Gaga’s was a hoot) the one that I genuinely liked the most was his honest description about Miss Britney Spears. I grew up loving that girl so much that I was voted Most Obsessed in my 8th Grade Yearbook. So when he talks about meeting her in Vegas, and pretty much detailing his honest thoughts about her (get the book, its good) it brings us a much more candid version of who Britney really is on a day to day basis, and that is was a real person’s experience and not a tabloids. Fascinating stuff.
The best parts of this book are two things- Wacha and his parents. Wacha, the rescue dog that he adopted from a kill shelter in West Virginia, is a pivotal point in this book as he appears throughout. From Andy’s lack of committing to anything including a dog, it really was fun to see the growth that he experiences with Wacha from the first time he meets him to the bond he develops with the dog to this present day. It really is heartwarming and as a dog lover myself can empathize about the daily struggles of having a dog but loving it unconditionally as they love you that way. Then of course there are his parents. I truly believe if Andy gave them their own reality show it would be a hit, as they are both hilarious in their own nutty ways. Evelyn’s (mom) texts to Andy about a myriad of things runs similar to how Kathy Griffin describes the brutal honesty that her mother Maggie bestows about her on a daily basis. It is part caring, part keeping it real, and part hilarity all wrapped up in one, and something you will see quite often as you read the book.
Overall, I think Andy Cohen is like Charlie Brown meets Andy Warhol. Just a normal guy from St. Louis who happened on this incredible life and stories for the masses to read, just like Andy Warhol did with his book back in the 80’s I would highly recommend anyone getting this as you will find some sort of relatability throughout. For more information on all things Andy Cohen, log on to his site.
Theater Review: “Love Letters”

Candice Bergen is a five time Emmy Award winner, two time Golden Globe award winner, and an Oscar nominee. Alan Alda has also been nominated for Academy Awards and has taken home entertainment trophies for his roles on television’s The West Wing and M*A*S*H. Both Bergen and Alda have graced Broadway stages and have convinced us that they can handle the medium of live theater with comfortable ease.
How is it then that their pairing in Broadway’s Love Letters seems so awkward and mismatched? Love Letters is A.R. Gurney’s 1989 Pulitzer prize-winning play that has found its way back to the Brooks Atkinson theater. Since September, producers have lined up big name talent to read letters written between two complicated lovers slash friends over the course of their lifetimes. Mia Farrow began the run as Melissa Gardner, a girl of affluence who blossoms into an adult in search of herself Along the way, she battles heartbreak, depression, and rehab. In the midst of life’s trials, Andrew Makepeace Ladd III, her childhood sweetheart, comforts, encourages, and at times, frustrates Gardner. Brian Dennehy assumed the role of Ladd upon the show’s opening.
Bergen’s performance is much too brash and self-assured. Gardner is sweet, vulnerable and girlish but still expresses a confidence which suggests that she is not a complete pushover. Here, Bergen plays her too much like Murphy Brown, the character in the sitcom of the same name, and the role for which she is best known. A a hard-hitting TV Anchor, a caustic, annoyed demeanor works. Here, however, her Melissa is too defensive, making it difficult to empathize with her. Alda seems altogether disengaged from the material. Ladd’s likeability hinges on the fact that he is torn between the loves that he did have as adult versus the possibilities of a life with Gardner. Through the years,an abding respect and devotion for Gardner remains intact. This makes Ladd perfectly human and relatable. But Alda’s body language suggests that he is bored and would rather be at a bar, sipping a martini with Loretta Swit. At this particular performance he actually lost his place in the script–with the pages directly in front of him.
And…the…dramatic…pauses…seem…endless. Both actors interject so many of them that the usually brisk 90 minutes feel painfully interminable. There is a fine line between dramatic pause and a lunch break. Candice Bergen is a fine actor. Alan Alda is worthy of critcal praise. Love Letters is a poignant, thoughtful, and deeply felt play. The combination of all three, though, generate an exchange of correspondence that is not much more than a string of misfired missives.Let’s hope that the next line-up (including Diana Rigg and Stacy Keach, Angelica Huston and Martin Sheen) will handle Gurney’s poetic script with more depth and sensitivity.
Love Letters on Broadway at the Brooks Atkinson theater, 256 W. 47th (between Broadway and 8th ave.) Tickets available at the box office or by visiting: http://lovelettersbroadway.com/. Visit the site for the guest star schedule.
Theater Review: “Little Dancer”
Theater Review: “It’s Only a Play”
This is it! Producers of Broadway’s It’s Only a Play have been waiting with bated breath to see what “Manhattan Digest” has to say about playwright Terrance McNally’s revival of his 1982 comedy. Ticket sales hinge upon this very review and so the words are chosen carefully to ensure that the hard-working cast remain employed for the next few months.
Surely, these words are written in jest. Director Jack O’Brien’s star packed revival sent ticket sales soaring through the roof at the Schonefeld theater when it was announced that Nathan Lane and Matthew Broderick (of The Producers fame) would reunite. It that weren’t enough to clinch the deal, producers wisely added other stage and screen celebs including Megan Mullally, Stockard Channing, and F. Murray Abraham. To attract a younger crowd, Harry Potter’s Rupert Grint and rising star, Micah Stock were tacked on to the marquee. The show has become the toast of Broadway and has already announced an extension to March 2015. Originally it was slated to run only through January 4th, 2015.
What is the point then, of writing a review? With such a line-up, one might believe that it would be immune to criticism, even to heavyweight critics whose printed and digital opinions can often dictate the success or failure of a show. (Note: “Manhattan Digest” is not one of these publications!) But, you know what they say about opinions? If you don’t, ask someone for the crass answer. Without further fanfare, I shall share my humble opinion about Broadway’s hottest ticket.

In short, It’s Only a Play is a fun night at the theater. Zippy lines are delivered often enough to keep audiences laughing (or at the very least, smiling). Its’ shortcoming lies in its’ length. For a play with little substance, the bit is drawn out a bit too long and once the curtain falls on this two and half hour sitcom, you’ll feel as though you’ve exceeded your time at the party.
Set in the home of producer Julia Budder (Mullally), “friends” and creative members of Peter Austin’s (Broderick) new play The Golden Egg assemble on the opening night of his show for the cast party and, more importantly, for the reviews. Dimwit Gus Head (Stock) serves as the coat check guy and more than holds his own in his Broadway debut. Head is a self-proclaimed “actor-slash-singer-slash-dancer-slash-comedian-slash-performance-artist-slash-mime”. Attend nearly any cocktail gathering and you’ve rubbed elbows with the type. Austin’s best friend, James Wicker (Lane), is an egotistical television star, who turned down the opportunity to star in his buddy’s play. Lane is doing his usual schtick here, but it works without fail. If there is any other leading man on Broadway working with such comic ferocity as him, please let me know. (Lane will depart the production on January 4th, as Martin Short assumes the role). Channing is Virgina Noyes, a washed up, pill popping diva whose problems with the law interfere with her stage work. As always, the skillfully talented Channing commands the stage, this time with a heavy dose of attitude and self-delusion. Her character’s antics could well be ripped from today’s entertainment headlines. Abraham is the most subtle here as Ira Drew, a theatre critic with an alter ego and bitter disposition. Polished and proper, Abraham’s Drew is wryly delightful as he plays the straight man with great panache. Frank Finger (Grint) is the boy genius director who is lauded by critics, but plagued by his own insecurities. Grint makes a flamboyant and impressive Broadway debut among this predominantly seasoned troupe.
In less talented hands, McNally’s updated romp would not be nearly as entertaining. While it is a work that even outsiders can enjoy, those in theatre circles will find many of the zingers even more enjoyable. Broderick’s Austin may well deliver one the best lines uttered on any stage at the moment: “New York without theater would be Newark!” . While it won’t move mountains, It’s Only a Play is pure escapism which serves as both a valentine and a gently self-deprecating mirror to the fabulous gift of live theater.
It’s Only a Play on Broadway now through March 2015 at the Gerald Schoenfeld Theatre, West 45th street between Broadway and 8th Ave. For tickets and information, visit the box office or log onto: http://itsonlyaplay.com
Movie Review: “Some Kind of Spark”

Since they’ve been introduced to our culture , the performing arts have long been viewed as something reserved soley for affluent high society. It stands to reason, then, why individuals who have not had exposure from a young age would not acquire the appreciation nor interest: The arts seem “too bourgeois” or “out of reach.”
Thankfully, Joseph W. Polisi, President of the prestigious Julliard School recognized that this was a problem. In 1991, after the budget for music education was slashed in New York City public schools, Polisi implemented the Music Advancement Program (MAP). 40 students between the ages of 8 to 14 were chosen from underserved communities and each Saturday, they would work one on one with an instructor, learning about musicianship and their musical instrument. The program not only nurtured an awareness and knowledge for classical music, but it taught self-respect and responsibility.
Twenty three years later, the program continues to thrive and filmmaker Ben Niles has captured the experience of a small group of these students in his documentary Some Kind of Spark which recently premiered at the Fifth Annual DOC NYC competition. NIles should be commended for bringing awareness to this phenomenal program and he stated that he “wanted to try and make my own impact through this film.” On most accounts, he has succeeded. With excellent segments of music lessons, Niles shows the dedication and endless support these teachers have showered upon their students. The bond they establish over this three year period is personal and powerful. What these gifted teachers give to these aspiring young musicians is life-altering and powerful. Yet Niles could do more to elaborate on the personal background and lives of these students. The home lives and personal struggles tend to be glossed over. Were there a more rounded view, the film would leave an even greater impact. Still, Niles has shed light on this impressive program and proves that there is not one socioeconomic rule over the arts. It is, and should be for anyone–and exposure to them should start at an early age, so that they develop a life long appreciation.
For more information about the film and to follow upcoming showtimes, visit: http://www.somekindofspark.com. For more information about the film festival, running through November 20, visit http://www.docnyc.net
Theater Review: “Saturday Night”

It seems fitting that the York Theatre would choose Stephen Sondheim’s musical Saturday Night for their 100th production in their “Musicals in Mufti” Series. For the last 20 years, the company has performed pared down versions of both significant and lesser known musicals, using not much more than scripts and street clothes.
Saturday Night strikes a core of sweet nostalgia that fits comfortably into this quaint space. Based on a play by Julius Epstein, Front Porch in Flatbush, this musicalized treatment takes us to 1929 Brooklyn where four teens are hoping to score a date on…you guessed it..Saturday night. Gene (Ben Fankhauser) is the alpha dog among his pack of frisky fellows and ends up forging a romance with Helen (Margo Seibert). Of course, the romance is not without its’ complications. Gene has a brilliant idea to sell a car, which belongs to Eugene “Pinhead” Goman (Olli Haaskivi). With an investment in the Montana Chemical Corporation, his stock is sure to rise and he’ll reap the monetary rewards. Unfortunately, it is not a well executed plan, but love still prevails. Meanwhile, he and his cronies go to the movies , accompanied by Mildred (Dana Steingold), an adorable air head who steals the show with her comic spunk. Rounding out this talented ensemble is Lindsay Mendez (Celeste), and Matthew Scott (Hank), sister and brother-in-law to Gene. Both shine in the second act , when they recollect the details of their first date in the endearing “I Remember That.” Fankhauser and Seibert provide quality acting chemistry and vocally, they are both in harmonious sync. (Fankhauser recently starred in Broadway’s Newsies, Seibert was a break-out star in Broadway’s too short lived Rocky).
Saturday Night was one of Sondheim’s first musicals that he penned at the young age of twenty-three. Originally it was to be presented on Broadway in 1955, but due to the sudden death of the producer, it never transpired. Since then, it has received various mountings in London, Chicago, and in 2000, at off Broadway’s Second Stage Theatre. It lacks the edge and sophistication of his later works, and Sondheim himself has said that he is embarrassed by some of the lyrics. It still tips its’ hat to the innocence and eagerness of youth. Besides, let’s just step back for a moment and analyze this: Stephen Sondheim wrote an entire musical (both music and lyrics) at the age of 23. Most of us at that age, including myself, were working a lousy minimum wage retail job. Congratulations, Mr. Sondheim. Your youth was not wasted. Sail on!
Saturday Night runs through Nov. 16 at the York Theatre Company, 619 Lexington Ave on the corner of 54th street. For tickets and information, http://www.yorktheatre.org/

Theater Reviews: “The Brightness of Heaven”, “The Belle of Amherst” and “Livin’ La Vida Imelda”

The Brightness of Heaven
Rest assured that when families convene, drama will ensue. No matter how close or how strained the relationship, words will be shared, opinions forced, and wounds reopened. Playwright Laura Pedersen paints a portrait of a family torn in various directions in her faith based period play The Brightness of Heaven, now playing off Broadway at the Cherry Lane Theatre.
Pedersen’s play takes us to 1974 Buffalo, NY to the staunch Catholic home of Ed (Peter Cormican) and Joyce Kilgannon (Kate Kearney Patch) . Ed’s sister, Mary (Paula Ewin) is visiting and they are planning a surprise gathering for Ed, at the local high school where he taught for many years. Soon, their home will be filled by Mary’s children, Grace (Emily Batsford) and Jimmy (James Michael Lambert). Grace is a social recluse who has never dated a man. Jimmy is openly gay, a taboo even more egregious during the Nixon era. Ed and Joyce’s children are soon to arrive as well-Brendan (Bill Coyne), an unsuccessful soul who copes with life through alcohol, Kathleen (Kendall Rileigh) the strong-willed middle child who is making waves with her future nuptials , and Dennis (Mark Banik), who is the only adherent to his parent’s strict values.
There is tender mercy in this thoughtful work, though the construct is forced. It seems like every taboo possible is represented by each family member, the culmination of which feels like a sermon on sinful living. Yet the kindness Pedersen gives each if her characters is commendable. No one is vilified and understandings are forged. Kathleen, fed up with her parents’ dogma of Catholicism explains, “I’m more interested in Heaven on Earth―a place where all God’s creations are at home, complete with all the glorious faults, differences, and desires that He in His infinite wisdom bestowed upon us.” It is a poignant and heartfelt sentiment, just one of many in this sometimes syrupy, but overall lovely view of familial dynamics.
The Brightness of Heaven is now playing off-Broadway at the Cherry Lane Theatre, 38 Commerce Street (west of 7th Ave. South). For tickets and information, visit http://www.cherrylanetheatre.org/onstage/the-brightness-of-heaven/
The Belle of Amherst
Thank heavens for great actors who can single-handedly turn a dangerously droll piece of drama into a significantly less droll night at the theater. Currently, we have the gifted Joely Richardson to thank for that. Richardson, the youngest daughter of the famed Redgrave family, is assuming the role of America’s most prolific poet, Emily Dickinson in a revival of William Luce’s The Belle of Amherst. Luce initially had written the piece for the late Julie Harris, who earned a fifth Tony award for her 1976 performance.
Going into this show (which I was drawn to solely on the Richardson factor ), I had little knowledge about Dickinson’s life. According to various reference sources, she was rather reclusive and was considered to be an outcast among her local Massachusetts townsfolk. In Luce’s work, she speaks of her shyness and her failure to connect with boys who are choosing prettier girls. She also speaks of cake. Upon introduction, she provides the entire ingredient list for a black cake she has just baked; it’s sort of like watching the Victorian Food Network minus the razzle dazzle. The most excitement the play conjures is a visit from Thomas Wentworth Higginson, a contributor to the Atlantic Monthly. Higginson asks for submissions for young writers, and eventually pays a visit to Amherst to visit young Emily.
The profundity of Dickinson is irrefutable, and no rational soul would argue over the beauty in her work. Richardson, the consummate actor that she is, makes the most of every moment. “Words are my life”, says Dickinson. “I look at words as if they were entities, sacred beings. There are words to which I lift my hat when I see them sitting on a page…I hesitate which word to take when I write a poem. A poet can choose but a few words and they have to be the chiefest words, the best words.” As a writer and lover of linguistics, it is an inspired moment. However, these moments are all too rare and under Steve Cosson’s static and flat direction, Luce’s words fall short of delicate song. Audiences keen on finding a mesmerizing character are instead saddled with the unfortunate burden of soldiering through to the curtain call.
The Belle of Amherst playing through Nov. 23rd at the West Side Theatre, 407 West 43rd street between 9th and 10th ave. For tickets and information, visit http://belleofamherstplay.com/

Livin La Vida Imelda
Carlos Celdran has some juicy gossip to share, so get comfortable and pay attention. In the spirit of the smash hit musical Here Lies Love (currently running downtown at the Public Theater), Celdran delivers his own tell all tale of Filipino President Ferdinand Marcos and his First Lady Imelda. It’s no secret how this powerful political duo went to great lengths to keep up appearances and abuse their power, but Celdran delves into the reasons behind their ethically questionable tactics and shares some lesser known tidbits about their reign.
Celdran, who wrote and stars in the show, speaks from personal experience, having been a tour guide in his native country of the Philippines. Using basic but effective projections Celdran charts the political rise of this controversial couple and interjects with his own commentary. Respectfully and keenly, Celdran does not single out the Marcos administration in his chastisement. ” If you are going to get Ferdinand Marcos and Imelda for everything that they have done”, he observes, “Then you’ve gotta get everyone else in the world who knew exactly what President Marcos and Imelda were doing.” It is a sobering thought that could well be contemplated for the actions of our current world leaders.
Celdran is an affable performer and his easygoing manner serves him well as a storyteller. Structurally, the show tends towards erratic sequence and is sometimes repetitive. By the end however, we’re left with an informative and rewarding tale of ego run amok. But don’t sprint from your seats too soon; Celdran has a very special surprise guest near the finale.
Livin La Vida Imelda plays off-Broadway through Nov. 23rd at Theater Row, 410 West 42nd Street between 9th and 10th ave. For tickets, visit the box office or online at https://www.telecharge.com/Off-Broadway/Livin-La-Vida-Imelda/Overview









