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review

Q&A with Top Italian Leather Handbag Designer Patricia Nash

by Danielle Flocco

As some of you may already know, there is an absolutely amazing premium leather handbag designer named Patricia Nash. Her products are not your run of the mill leather bags. They have beautiful detail, old world touches, and are built to last.

Patricia Nash had spent years designing for other companies like Disney, Warner Bros., Banana Republic, Express, and American Eagle- just to name a few. A challenge from a friend led to the launch of Patricia Nash Designs in 2010, which has received an overwhelming response with her products extending to stores like Macy’s, Dillard’s, Nordstrom, and various boutiques nationwide.

Patricia Nash Salerno Saddle BagI am a proud owner of the Salerno Saddle Bag, and I can tell you that Patricia Nash’s products’ quality are like no other. The leather strap is so sturdy, and the bag itself is small and structured- great for a day out or daily use. The inside is perfect for orderly keeping of your wallet, phone, and planner. The structured sides are perfect- you’ll never go diving into the bottom of your bag again. Plus, there are two pockets inside that are perfect for keys, change, or other small objects you like to keep easily accessible. And, my favorite feature is the snap that secures the the flap to the purse itself. I accidentally sent the purse crashing down my steps, filled with my wallet, phone, pens, spare change, and various lip balms and absolutely nothing came out! It is absolutely the best snap closure I have ever experienced, which makes it perfect for clumsy folks like myself.

I was given the opportunity to ask Patricia a few questions, so here is what she has to say about her brand.

Your designs are not like anything else that we see today. They have such intricate detail that I have yet to see from any other designer. What are some inspirations behind your brand?

Patricia Nash: “My travels across Europe have provided many inspirations, including vintage shopping in Bologna, London, and Paris. I’ve developed friendships with people who share the same passion for vintage Italian leather bags as I do, and have been inspired by their collections as well as my own.”

You’ve accomplished so much with your brand in a short period of time. So, how does it feel for your career to be where it is now, and for you to do what you love everyday?

Patricia Nash: “Surreal! I am just humbled by the outpouring of women who reach out to me and share their passion for and loyalty with the brand with me.”

With such stunning and high quality products, I’d imagine that a lot of women appreciate your designs and your brand as a whole. What about Patricia Nash Designs really sets your products apart from other leather handbag designers?

Patricia Nash: “The old world craftsmanship and vintage vegetable tanned Italian leathers along with printed and tooled leather are unique to the entire market of handbags sold in the U.S.”

First of all, thank you to Patricia Nash for taking the time to tell us more about her one of a kind brand, Patricia Nash Designs.

The handbag shown in this article is the Salerno Saddle Bag in Florence.

Get your own Patricia Nash authentic Italian leather handbag and other great products like wallets, stationary, scarves, footwear, and more at patricianashdesigns.com

Filed Under: EUROPE, FASHION, LIFESTYLE, NEW YORK, OPINION, REVIEWS, STYLE, U.S., WORLD Tagged With: fashion, handbag, italian leather, leather, Manhattan, manhattan digest, MD Fashion, NEW YORK, New York City, NewYorkCity, NYC, opinion, patricia nash, patricia nash designs, review, style

Wrap Bracelets That Make A Statement: Hole In Her Stocking

by Danielle Flocco

Hole in Her Stocking

With spring in full bloom and summer ahead, it felt like the perfect time to add some more color to my accessory drawer. As usual, I turned to Etsy, my go-to for something nice with a handmade touch, where I found a wonderful shop called Hole in Her Stocking.

Hole in Her Stocking It was hard to choose a single bracelet from all the great pieces in the shop, but remembering that they look like more than just one, I settled on a blue, turquoise, purple, and silver wrap. Intrigued with the shop and how their beautiful color schemes and styles came to be, I reached out to the owner, Jennifer, for some more information.

The Hole in Her Stocking shop was started several years ago as a hobby, with Jennifer taking time off here and there. Over the last year, though, she invested herself more seriously in the shop and created for herself a successful brand. Jennifer is a one woman team from Long Island, crafting each of her colorful pieces on her own, recruiting family only for modeling.

It turns out talent does run in the family, being that Jennifer first gained an interest in jewelry making growing up. She shared with me that her mother and grandmother were very crafty women and often made their own jewelry. Early in her life, Jennifer followed their lead and started creating her own pieces. Her natural taste in style has always been that bohemian, hippie style, so it is only natural that Hole in Her Stocking oozes fun and happy vibes.

We all love getting a great product in great packaging, and that element was certainly not overlooked by Jennifer. Several months ago she started experimenting with custom stamped sacks, and naturally the response was overwhelming. While looking to give her customers something unique, she ended up creating a keepsake bag, perfect for storage and travel, that comes with every bracelet.

The start of Jennifer’s interest in jewelry making, and the influences behind Hole in Her Stocking make for a great story behind the shop, but obviously the products speak louder than any words can. Let me start by saying, I was extremely excited to get the mail to catch my first glimpse of the custom stamped sack and multi-color wrap bracelet.

Hole in Her StockingThe sack, complete with my name and an arrow design to complement, has a light burlap texture and a drawstring on top. The bracelet fits securely in the bag, with the drawstring pulling to a tight close. Durability is key with any packaging, and the sack is cute and personalized means of protection from everyday messes. I definitely recommend keeping the bag, whether you choose to store your bracelet in it or just use it for travel.

I opened the little sack to unveil what would become my go-to color pop, and pulled out the slinky like bracelet. With nine layers of beads, my bracelet wraps from larger beads on the bottom to slightly smaller beads on the top. It starts with a line of light turquoise beads that sit securely against the loop ending on the bracelet. From there, it wraps to light blue, to silver rectangular blocks, to an almost wine colored purple. While I wouldn’t usually like blue and purple together, the accent of the silver blocks between the two layers adds a together but separate element to the bracelet, which is what ultimately gives the image of being multiple pieces. From the wine-like purple beads, it moves up to slightly translucent purple beads, and then to another layer of silver. The silver line here are faceted circular beads, yet again creating the image of a separate bracelet. My wrap finishes off with a layer of turquoise, followed by what I see as almost magenta, and ended with a line of dark royal blue that ultimately completes the bracelet.

The beads used on the bracelet are good quality, leaving no worry for sudden breakage. However, they do scratch easily, so it is vital to watch where you reach with the bracelet on. My initial concern with such a layered bracelet being a wrap would be that it wouldn’t fit my wrist properly; that either it would be too structured or bend very easily. The first time wearing the bracelet it did feel a bit stiff, resting on my wrist with room to spare between the bracelet and my arm in some places. But after the first couple wears, it almost came to fit my arm better, and now sits very comfortably every time I put it on- which is almost everyday.

The colors in the bracelets are incredibly bright and will stand out no matter what you wear, which is my favorite part. My personal favorite way to style the bracelet is with an all black outfit, letting the bracelet do the talking. On all black, the colors pop so much on their own that it makes me feel as though I need no other accessories. Hole in Her StockingAnother great style idea is to wear something that picks up one of the colors in the bracelet. For mine, I wore it with black flats, black leggings, and a flowy turquoise shirt. With the turquoise shirt and accents in the bracelet, the look was very fun, bright, and put together. I’ve also gone on to wear the bracelet with white, blue, and pink shirts along with a black cardigan, and the bracelet was, again, the perfect accent.

To say the least, I adore my bracelet from Hole in Her Stocking. The stacked look without the effort, the comfortable fit, and the bright colors to pop are just a few of the best qualities. There is near to nothing one of these bracelets wouldn’t look good with, and with most of them being under $30, there is no reason not to get one, or a million, of them for yourself. Mine in particular is only $17.50! So, do your wardrobe a favor and style it with the accessories it deserves.

Love what you see in the shop? The first ever lookbook is in progress, giving us all something to look forward to. And don’t forget follow @holeinherstocking on Instagram, where you can see all the new styles as they are listed and all the existing ones in all their boho glory.

Filed Under: FASHION, LIFESTYLE, NEW YORK, OPINION, REVIEWS, STYLE, U.S., uncategorized Tagged With: bracelet, Etsy, fashion, handmade, Hole in Her Stocking, jewelry, long island, Manhattan, manhattan digest, MD Fashion, NEW YORK, New York City, NewYorkCity, NYC, opinion, review

Review: GiGi New York Embossed Python Leather Crossbody & Wallet

by Danielle Flocco

_MG_8016_CROP (1)The brand best known for its luxurious python leather products, GiGi New York, offers the finest combination of classic and edgy style that one will find in bags and their accompanying accessories. The visible pattern and texture if the python skin with the durability of the highest quality leather are only the most obvious attributes of their products that one sees at a first glance. Actually use their products, and a whole different world of distinction and beauty is opened up to you.

The day my GiGi New York items came in the mail, it was easily the most exciting snail mail I’ve gotten in 2015. Packaged in a durable black box with their logo stamped in gold foil, were my new go-to items. First, I opened the embossed python leather crossbody bag, and then the embossed python leather phone wallet to match. Each item was individually packaged in protective plastic bagging, with leather cleaning towels, complete with the GiGi logo, enclosed.

From the first finger I laid on the python leather, I knew I was touching one the best quality items one could own. GiGi New York sources their leathers from all parts of the world, utilizing every region’s specialties, including the worldwide leaders in fashion tanning, Italy and France. Most of the products are made in the United States, guaranteeing the greatest attention to detail in the creation of every item.

Excited to use my new bag and wallet, I quickly began a top to
bottom inspection of the products. The bag is 10 inches wide and_MG_8018 8 inches tall with a detachable adjustable strap, offering up to a 27 inch drop from shoulder to bag. It has a zip top closure, and a front pocket that zips closed, as well. On the front of the bag there is a simple logo plate attached at the top, in the center of where the widest section of the python leather runs. Inside the bag is a soft material, stamped with the GiGi logo, giving a delicate look to the durable interior of the bag.

_MG_8016The bag is both chic and practical, with a slick appearance yet reasonable size for day to day use. It has proven to perfect for day trips when you don’t want to bring much with you, as well as for regular use like work and family visits. With spring in the works and summer around the corner, the crossbody is ideal for festivals and outings in the nice weather. Because of its size, it will hold what you need for the day without weighing down your arm during the time you’re trying to enjoy yourself.

The phone wallet is 7 inches wide and 4 inches tall, fitting perfectly inside the crossbody bag. The wallet also features the logo plate in the widest section of the leather, creating a flawlessly balanced look between the embossed leather and the metal add-ons. There are two spaces for cash, a zip closure back pocket for change, six credit card slots, and a slot to hold a variety of phone types- Apple and Android alike.

The wallet is easily the most versatile item I’ve owned. It fits _MG_8017great in any regular size bag, it tucks away just right in the crossbody, and it’s even excellent just on its own. The slot for the phone is what has me cheering the most. I didn’t want to get tangled in bag straps while maneuvering groceries, so I opted for a wallet only excursion with my phone securely tucked away inside of it. Not to mention, the wallet zip on the top and only one side, so when I opened it to pay, my belongings were not out in the open.

After being introduced to GiGi New York and experiencing their products first hand, there isn’t another brand I’d go to for this type of unmatched quality. Well, except for their parent company, Graphic Image.

All GiGi products come with the option for personalization of up to three letters, which can add the finishing touch to a gift for yourself or a loved one. So, head over to their site now to check out their variety of top quality items, and be sure to sign up for their e-mail list to receive 10% off your next purchase!

Filed Under: FASHION, LIFESTYLE, NEW YORK, OPINION, REVIEWS, STYLE, U.S. Tagged With: bags, fashion, GiGi New York, leather, Manhattan, manhattan digest, MD Fashion, NEW YORK, New York City, NewYorkCity, NYC, opinion, python, python leather, review, wallets

Fashion Review: Yosi Samra Foldable Flats

by Danielle Flocco

My YS Samantha Cap Toe foldable flats in "smoke black"
My YS Samantha Cap Toe foldable flats in “smoke black”.

After a long search for a new pair of flats for the spring, I came across the brand Yosi Samra. The name caught my attention, as did their claim of “fashionable yet comfortable”, as well as incredibly convenient, flats. Yosi Samra is a second generation footwear designer, bringing fashion, comfort, and convenience into his product lines like no other brand has before. His site has a wide range of styles and colors for foldable flats, along with a variety of other shoes for both women and kids. Roughly two hours after finding the website, and after looking at every shoe at least three times over, I purchased a pair of Samantha Cap Toe foldable flats in “smoke black”.

Flats, and the small shoe box.
Flats, the small shoe box.

First of all, shipping was incredibly fast. I selected basic ground shipping, and they were at my front door the very next day. Granted, I do relatively close to Manhattan, where they ship from, though next day delivery was far from expected. The packaging is likely the smallest shoe box one will ever receive since the flats come folded up.

Though the price of the shoes, $77 for the ones I chose, reflected a better quality than the average flats, I was not expecting the high level of quality they really are. Not only do they fold without ruining the material or foot bed of the shoe, but the sole is similar to that of a sneaker. It’s the comfort of a pair of Keds with the style of designer flats- what more could a girl ask for?!

YS logo on the heels.
YS logo on the heels.

The snake skin-like pattern is beautifully detailed, with different shades of grays and blacks throughout, quilted with stitching. The leather upper cap toe is very durable, despite the sides of the shoe being rather flexible and soft. Inside is a soft foot bed, complemented by sneaker like soles. Also, one of my favorite details, the top edge of the flat is lined with an elastic material, guaranteeing a comfortable fit that will not slide off your foot. And, on the back of the heels are metal YS logos, adding a small and chic designer detail to the shoes.

Flats folded in their dust bag.
Flats folded in their dust bag.

The shoes come packaged in their tiny box inside a dust bag. The dust bag is great for storage, as well as for when toting the shoes with you. Yes, they absolutely make great everyday flats. My feet happily survived a week straight in my Yosi Samra flats, including a day of heavy walking in the city. But, they are also perfect for “back up shoes” on nights you’ll be wearing heels. Undesirable situations, like going barefoot at a wedding or limping during an event, can be avoided with a practical pair of flats to come to the rescue when your feet need it most.

With a ready to shop website, and over 100 boutiques across the United States, there is absolutely no excuse to not do your feet the favor of picking up a pair.

The shoes only come in whole sizes, and Samra is right when he advises half sizes to order the next size up. For reference, I am usually a loose 7.5 and I ordered a size 8. They fit perfectly with a little room, but nothing to worry thanks to the elastic edging.

And please, as per the care instructions, take care of your YS shoes by keeping them out of the rain and away from oils, greases, and lotions.

Flat before folding.
Flat before folding.
ys5
Flat folded, ready to tote.

 

Filed Under: FASHION, LIFESTYLE, NEW YORK, OPINION, REVIEWS, STYLE, U.S. Tagged With: fashion, flats, footwear, Manhattan, manhattan digest, MD Fashion, NEW YORK, New York City, NYC, opinion, review, shoes, style

Album Review: Actress – Ghettoville

by Rio Toro

10891-ghettoville

Actress: Ghettoville

Similar Artists: Zomby, Lee Gamble, Lukid

Genre: XY2PQXX9

Label: Ninja Tune

 

It is now Tuesday, January 21st, 2013, the time is 4:25 PM, approximately 10 and 3/4 days since my initial voyage through Actress’ newest labyrinthine maze. While it’s no surprise that Ghettoville — Darren Cunningham’s 4th and apparently final album under the Actress moniker — is a strange and often confounding listen (considering the artist pretty much singlehandedly ushered in a new era of abstract techno) I admit that I underestimated the extent of his powers, and now, it seems I have befallen to them.

After incessantly listening to these 16 tracks repeatedly for 20+ hours, this marks the spot where I will begin my third fourth attempt to write this review. At this point in time, I am unsure if I will ever succeed in accurately conveying the themes of this cerebral minefield, and if this entrapping well I find myself in now continues to grow darker, I fear I will never be resolved of my duties as a music critic. Despite the increasing toll this experience has had on my well being, I must continue to stand by my duties, as mine is a profession relied on by many to provide satisfaction. However, if by some chain of events I am lead to deem my mission as being impossible, I hereby claim to hand over my prided music-reviewing degree and cast myself into exile. Thankfully, that day where I give up will never come, as I have taken an oath to continue to dissect this bold and insurmountable work until I can see it with eyes unclouded.

To prove my seriousness, I shall allow no other album — no matter how highly anticipated and readily available — to meet my ears until I have conquered this one. No dark crevice or subtle texture housed between the walls of this release shall pass by me without being factored into the towering equation. No lesser track shall be left out of the larger picture to allow for a quicker analysis, and most importantly, I shall blame myself and only myself for believing a track could be any less than absolute perfection.

There is no denying the brilliance of Darren Cunningham — I have moved past all thoughts of those kinds at this point in my journey, as I now know those thoughts are only a representation of the inherent mediocrity within myself. The only thing I must use now is patience, for it is the sole device necessary in unfolding the true meaning of this masterwork. Or maybe, just maybe, I will never be able to understand the whole of Ghettoville. Maybe the answer is that I’m just not smart enough to. This conclusion is something that in the long run I am not against saying, as a brain can only handle so much brilliance without overloading and crashing within itself. Sometimes, when I get caught up in thinking about it, I even fear the truth may be that I’ve never actually understood and properly enjoyed a single Actress track to date.

This self pity doesn’t even matter anymore though. It doesn’t matter whether I will or will not ever grasp the underlying themes of this record, as this infatuation of mine is about something bigger than proving myself to the music world. I could care less about how many more hours I will undoubtedly spend waiting for a grand realization or epiphany to form in my mind, because there is simply nothing about my existence that bears any more of an importance anymore. I am addicted, yes, a slave even, though not from any discernible enjoyment that I get from the act of continuously listening, but from the unrelenting curiosity that haunts my mind during the moments when I’m not. There is a feeling of some true underlying importance buried within this record, and one I refuse to dismiss as a production trick. This is a feeling that has been harvesting within Actress’ catalogue ever since he debuted with Hazyville in 2008, but now the feeling has become unavoidable and cemented within the productions. There’s nothing else to do now but wait and listen, and I gladly will until I find out exactly what it is that makes this music so spellbinding, for when that epiphany finally does arrive, I’ll know I’d have spent my life well.

 

Track Listing:

1.) Forgiven*

2.) Street Corp

3.) Corner*

4.) Rims

5.) Contagious*

6.) Birdcage*

7.) Our

8.) Time*

9.) Towers

10.) Gaze*

11.) Skyline

12.) Image

13.) Don’t

14.) Rap*

15.) Frontline

16.) Rule*

Album Highlight – *

Filed Under: ENTERTAINMENT, MUSIC, OPINION, REVIEWS Tagged With: Actress, album, darren cunningham, electronic, ghettoville, music, ninja, review, tune

High Marks for Paranormal Activity: The Marked Ones

by Dane Benko

Poster for Paranormal Activity: The Marked Ones
Poster for Paranormal Activity: The Marked Ones
Paranormal Activity: The Marked Ones poster

Viewer beware, you are entering into the lost land of imagination, after the warmth of Hollywood’s carefully placed and critically lauded hits have faded and you settle down to bed, intending to hit up the cineplexes over the next few weeks for a bit of catch-me-up before all those award shows hit, and upon scanning the listings, have the horrifying misfortune of seeing the new releases.  It has arrived: January, Hollywood’s graveyard of zombie franchises.

And what better to start the toss off into lonely auditoriums than a new spin-off of the wildly successful Paranormal Activity series.  The Marked Ones has all the warning signs of a train wreck: they’ve stopped numbering the iterations, the release was pushed back from the franchise’s annual holding space as the go-to Halloween movie, and except for a couple announced cameos, it’s dropping the lineage of the previous installments in favor of a brand new cast.  You could almost say it was… marked… for failure?

Except I basically had all that written before I’d seen it.  It’s actually a lot of fun, and if you’re getting tired seeing the giants of Hollywood clash over golden figurines, you might as well jump in for the ride.

Helmed by franchise writer Christopher Landon, The Marked Ones follows Jesse and Hector, two best buds recently graduated from high school, staving off boredom in their run-down apartment complex by toying around with the new camera Jesse’s received for graduation.  Between smoking pot and pranking each other, the two manage to start poking their camera into places they don’t belong and end up finding a strange ritual they don’t understand performed by Anna, the old woman downstairs, who they quickly decide must be some bruja.

Which isn’t really enough to distract them from setting off fireworks and other shenanigans, until Carlos the school valedictorian shows up and offs the old lady in a spectacular manner while Jesse notices a strange mark appear on his wrist, not to mention suddenly acquires spectacular abilities of strength and levitation.  Which is all well and good for his YouTube channel until strange noises start upsetting the electronics and his behavior starts to get weird.

Paranormal Activity The Marked Ones screenshot
“Yo Mr. White, what’d you do to my eye?” Oh wait, wrong Jesse.

From there it’s all exorcisms and shaky cam as Jesse and friends venture progressively deeper into lower levels of the bruja’s hellhole and even follow up on trying to find what caused Carlos to go loco.  Ali Rey makes her appearance to provide tie-in and exposition, and the audience tries to tell the characters what not to do as they immediately proceed to do precisely that.

 

However what makes the movie really roll is the friendship between Hector, played by Jorge Diaz, and Jesse, the headlining Andrew Jacobs.  As horror protagonists, they do predictably stupid things, but as Latino teenagers just trying to spend their last summer together and get laid, they’re those really goofy guys you know from that one party we don’t talk about.

 

Like how a good children’s movie will provide some references that will go over the head of the kiddos so that the adults can have a laugh, Paranormal Activity: The Marked Ones contains enough bumps, screeches, and scratches to keep the 14 year olds on edge while using the same elements of surprise and shock for some rather good slapstack pratfalls and screwball Spanglish.  The found footage style lets the story jump cut and fast forward through all the boring stuff until Hector manages to get the neighborhood gangsters to pull out the big guns (literally) and it’s all Cholos versus Brujas in some empty plastic-and-dust mansion somewhere up in mapped but unmarked gringo territory.

 

It’s worth the price of admission as long as you allow your b-movies to be packaged in a brand name.  The Paranormal Activity series has managed to keep a legitimate cult following from its beginnings as an actually independent breakout hit through its progressively commercial sequels (and prequel), and The Marked Ones indicates that the filmmakers are willing to expand the world and make it playful.

Filed Under: ENTERTAINMENT, MOVIES, REVIEWS, uncategorized Tagged With: ali rey, andrew jacobs, b movie, bruja, Christopher Landon, exorcism, found footage, franchise, Halloween movie, horror, january releases, jorge diaz, latino, movie, movie review, paranormal activity, paranormal activity 5, paranormal activity the marked ones, review, sequel, spanglish, spin off, the marked ones, youtube

Knack – Full Review

by Tim Morris

Copyright Sony Computer Entertainment Source: VGU
Copyright Sony Computer Entertainment
Source: VGU

Its beauty is only skin-deep.

Now that I’ve had the opportunity to complete my playthrough of Knack, I think it’s high time that I give it a proper review. Knack was developed in-house by Sony as an answer to those wanting new entries in the Ratchet & Clank series or similar titles. It serves as the Playstation 4’s kid-friendly foray into the blend of action and platforming at launch, and also is a nice break from all the shooters that have come out alongside the platform. Is it a good game, though? Yes and no.

Story – Knack begins with a meeting of the minds, of sorts. It follows the stories of Doctor Vargas, who was responsible for the creation of the eponymous protagonist, Knack; Lucas, the Doctor’s assistant; and Ryder, the poor man’s Indiana Jones who is also Lucas’s uncle. Other pertinent characters include Viktor, a shady executive whose love of robotics and high-tech weaponry has powered his empire; Katrina, Viktor’s head of security and femme fatale; and Charlotte, the Doctor’s former lover, presumed dead after falling into an abyss twenty years prior to the game’s occurrence. At the outset of the game, you’re told that the goblins are a prime threat to human cities and settlements and that they must be stopped, which is where we meet the cast and see them discuss the best course of action. The story then shifts to Viktor being an evil son of a gun, and then it kind of gets disjointed from there. There are thirteen “chapters” to the game’s story, yet by the middle of chapter five it felt like endgame. After that, it was a series of buildups to potentially major encounters with little to no payoff. You do eventually get to battle one of the main villains, but the final boss of the game is almost completely unexplained. If you were fighting Viktor’s minions, you’d reach a point where a fight against Viktor and/or Katrina would be teased heavily, only to have them run away with their tails between their legs before a cut to the next chapter. There is a rather significant plot twist in the second half of the game that was fairly well-executed, but the overall body of work with the story is marred by a number of unexplained events and plot holes. Since I’d like to keep this review as spoiler-free as possible, I won’t mention specifically what happens, but you can find a video with all the cutscenes edited together here.
Story Grade: D+

Gameplay – Knack plays like your typical action platformer, except on a more linear scale than most. Nearly every level in the game is set on a clearly defined path from start to finish, so you’ll never get lost or forget where you need to go. As far as level design goes, those are really the only positives about linearity. With so little room for exploration aside from a few breakable walls and secret rooms, I felt at times that Knack was more about working my way through the mobs to the end of the level than exploring and taking in the beautiful visuals that were created for this title. That’s one of the biggest issues this game has; playing a video game should never feel like work. Another gripe I have with the game is the controller mapping. Knack has three basic maneuvers: he can jump (X button), punch (square button, can be pressed repeatedly to string together hits), and evade (moving the right stick). As a veteran of shooting games, I find it aggravating when I can’t jump and aim, which are typically on the bottom face button and right stick, respectively, in a fluid motion. Evading is awkward enough in its own right, especially because the timing is tough to nail down and you aren’t granted any additional invincibility frames while you’re stuck recovering, which means that other enemies on the field can still hit you. Potentially the largest issue with the controller setup is the fixed camera. With nothing else mapped to the shoulder buttons, it’s inexcusable that there is no way to rotate the camera. This is 2013, people. Having moments in the heat of battle when enemies drop in the foreground, obscuring my character, with no way to remedy that except to jump over them and possibly take a hit in the process is highly unforgiving.

Knack can collect sunstone to unleash one of three special abilities by pressing the O button followed by O again, square, or Δ. These serve to quickly clear the area of enemies if you’re in a tight spot, but for me they were used more for breaking the monotony of the “punch everything” system when I didn’t feel like fighting a mob. Tying into the sunstone feature is the checkpoint system. If you die, and trust me, you’re going to die a lot in this game, sunstone does not revert to what it was at when you hit the last checkpoint. This works two ways: the positive is that you can sort of grind sunstone through dying a bunch, eventually giving you enough to use a super move and clear the fight that you were having trouble with; however, the opposite side of the coin is that should you use some of your meter on a super move and then die anyway, you’re stuck grinding it out again unless you can prevail without it. This brings me to another issue I take with the gameplay, which is that due to how quickly Knack dies no matter how big he gets, the name of the game is memorizing attack patterns and defensive play, as opposed to instincts and skill. This type of “know your enemy” system doesn’t sit well with me, especially in a game that’s allegedly geared towards children. I don’t know what types of kids they’re targeting with this game, but the “Normal” difficulty of Knack is plenty frustrating enough.
Gameplay Grade: D

Aesthetics – The saving grace of Knack is the graphics. With cutscenes and landscapes that could pass for a DreamWorks film, this is an impressive piece of visual artwork. The game runs smoothly, with very few slowdowns occurring from start to finish. Landscapes range from mines to mountains to forests to cities and everything in-between. Goblin enemies look like dumber and evil versions of Shrek, which actually works pretty well. The true winner in the graphical department is Knack, of course, because he has so many moving parts and his size changes rather frequently. Though it sadly has no effect on the gameplay itself aside from certain sections, the extra materials that Knack can utilize over the course of the game, whether ice, wood, metal, or crystal, are all rendered nicely and add a bit of visual flair to the game. Sunstone pickups glow and cause Knack to illuminate as well when they are broken and consumed. I keep coming back to the FMVs in the game though. They’re very well-animated, with solid voice acting and crisp sound effects. It’s a shame that they’re wasted on an inner core of a game with such little depth to it, but perhaps someday there will be a sequel that has combat equal to its animation.
Aesthetics Grade: A-

Fun Factor/Replay Value – Hardcore trophy hunters will be glad to know that there is a lot to do postgame. Subsequent playthroughs will allow players to re-open chests in secret rooms, in order to complete the many gadgets that Knack can use and also gain crystals that allow Knack to become better versions of himself. Whether or not you choose to pursue those upgrades and accolades depends on how much you enjoy the overall package here. I probably won’t be going back to Knack, not for a long while at least. This is not to say that the game is completely devoid of enjoyment, however; the game really shines when Knack grows to enormous proportions and you can run through areas while killing almost everything in one hit and flinging tanks at the opposition. I took these sections of the game as sick, twisted revenge against it for the profanity and near controller throwing it caused me, but how you enjoy these sequences is completely up to you. To summarize this section, if you don’t mind farming or grinding to obtain some power-ups and have a superhuman resistance to the mind-numbing gameplay of Knack, go nuts.
Fun Factor/Replay Value Grade: C-

Final Thoughts – I want to like Knack. I really, really do. I want it to be the Crash Bandicoot or Spyro of its generation, that seminal action platforming game that redefines a genre and gets the masses playing something other than a first-person shooter for a change. However, there simply isn’t enough here to be that game. It doesn’t do much that we haven’t already seen, and the unforgiving difficulty means that Knack isn’t the most accessible launch title in the PS4’s library. This title is yet another example of how graphics are not the most important factor in a video game’s quality. If the development team had spent even half as much time on everything else in Knack as they did on the visuals, it might have been one of the better launch titles for the Playstation 4. As it stands, it’s a beacon of mediocrity that left me very disappointed.
Final Grade: C

Platform: Playstation 4
Genre: Action/Adventure, Platforming
Players: 1-2 (co-op)
Price: $59.99

Filed Under: ENTERTAINMENT, OPINION, REVIEWS, TECHNOLOGY, uncategorized Tagged With: action, adventure, knack, opinion, platforming, playstation 4, review, video games

Cell Phone Battery Cases: Which ones are worth it?

by Alex David Jimenez

REVIEW – According to recent statistics, nearly seventy-five percent of the world population uses a cell phone. The market for cellular technology has been exploding since the early two-thousands, and had seen an even more dramatic increase since the dawn of the smart-phone. Long have the days passed since we, as a modern society, have used our cell phones simply for making phone calls. They can tell us about the current weather. They can take high-definition photos and video, as well as post them to all of your favorite social networking sites. They can harbor popular and high-graphic games. They can even give you directions and tell you which of your friends are nearby. It’s no secret that the power of smart-phones is quickly increasing, as so too is the demand for products and accessories capable of sustaining the mounting amounts of energy we use each day for that power.

While cell phones today have a much longer battery life than they did years ago, the market for cellular battery improvement is still growing. We use our phones for everything, and are constantly finding ourselves taking our phone chargers everywhere we go. Can’t find and outlet to plug it in? Looks like you’re screwed.

Consumers today are finding the phone battery-life issue more commonplace, and many are utilizing an ever-growing solution: Cell Phone Battery Cases. The idea: Use the case to protect your phone from damage, and charge your phone when necessary with the battery built right into the case itself. Genius! It seems the most sensible solution, whereas the need for wires on the go will become obsolete, and your stress level might fall at least a bit knowing your phone’s battery should survive the day.

So which products are the ones consumers should be looking for? The market for cell phone case/chargers is growing fast, and there are several options floating around the inter-webs. Here, we’ve compiled six of the most popular producers, specifying the specs and the varying differences between the products.

1.

BOOSTCASE

Cell Phone Battery Cases: Boostcase

BoostCase.com
$79.95 – $99.95
iPhone 4(s) / iPhone 5(s)
Battery: From 1500mAh to 2200mAh Capacity
Weight: 8.2oz

Aside from its sleek look, the Boostcase iPhone Hybrid Battery Charging Case is also quite functional, capable of extending your phone’s battery life for several hours. The case is somewhat bulky, according to consumers, but does redeem itself in having a separate click and snap design, allowing you to interchange the charging system as desired.

The case comes in a “single-shot” or “double-shot” version, the latter providing better battery life. Though a bit pricey, the Boostcase is a contender in the phone charging industry.

Pros:

Up to 150% Additional Battery Power

Dual Charging (Phone and Case)

Stylish Look

 

Cons:

Long Charging Time

Bulky Feel

Some Functionality Errors

                               Overall Rating: Screen Shot 2013-11-18 at 2.26.31 PM

 

2.

ETÓN Mobius Black
Mobius Black

Etón Webstore
$59.99
iPhone 4(s)
Battery: 1800mAh Capacity
Weight: 3.4oz

The Mobius Black is somewhat revolutionary in the world of cell phone chargers, in that it is not only a mobile charging station, but is one which harnesses the power of the sun to do so. Along with the case’s rechargeable battery pack, the Mobius features a high-efficency monocrystal solar panel. The device is moderately priced – good for consumers not looking to spend too much.

Though solar power seems massively convenient, some consumers do complain about the phone’s limited capabilities when charging the phone – i.e. the phone should not be charged while the solar panel is attached. The Mobius Black os only available for the iPhone 4(s).

Pros:

Solar Powered

Removable Battery

USB Syncing Capability

 

Cons:

Limited Battery Capacity

Mediocre Case Durability

Charging Limitations (solar)

                               Overall Rating:  Screen Shot 2013-11-18 at 2.26.50 PM

 

3.

POWERSKIN
PowerSkin

Power-Skin.com
$49.99 – $79.99
iPhone 4(s) / iPhone 5(s) / Samsung Galaxy SIII / Samsung Galaxy S4 / Samsung Galaxy Express / Blackberry Z10 / HTC One X/X+/XL / Windows Phone 8X
Battery: From 1500mAh to 2000mAh Capacity
Weight: 1.92 to 3.53 oz

The PowerSkin Cell Charging case has taken the battery-powered phone case to several different mediums on the market. PowerSkin has more cases for more phones than any other producer, and has developed some quality products to boot. The look is sleek and modern, and the case itself is one of the most durable on the market.

Consumers have stated in some cases that the phone takes a long time to fully charge and that the battery power is not competitive enough for its competition.

Pros:

Multiple Product Options

Sleek Design

Durable Case

 

Cons:

Only up to 70% extra Battery Charge

Bulky Feel

Long Charging Time

                               Overall Rating: Screen Shot 2013-11-18 at 2.26.31 PM

 

4.

THIRD RAIL
Third Rail

thirdrailmobility.com
$89.99
iPhone 4(s)
Battery: From 1250mAh Capacity
Weight: Case: .85 oz – Battery: 1.4 oz

Perhaps the most positive aspect of the Third Rail’s TRIO Charger for the iPhone (Positive, but not for everyone) is that its battery is completely detachable, leaving the phone thin and lightweight when not in use. The battery pack, or multiple, stackable battery packs can be easily clicked onto the phone when it needs juice. The charging wire is universal, therefore useful in charging many other devices if needed.

The downfall: just not a very attractive product. Most negatives pertained to the case’s design and durability, as well as its lack of efficient power.

Pros:

Detachable Battery

Universal Battery Charger

Light-weight

 

Cons:

Low Battery Capacity

Poor Design

Poor Durability

                               Overall Rating:  Screen Shot 2013-11-18 at 2.26.50 PM

 

5.

MOPHIE
mophie

mophie.com
$79.95 – $129.95
iPhone 4(s) / iPhone 5(s) / Galaxy SIII / Galaxy S4
Battery: From 1500mAh to 2300 mAh Capacity
Weight: 2.44 to 4.59 oz

The Mophie Cell Phone Charging case is easily the most popular on the market right now, and for good reason. According to average users, the case is durable, sleek, and gets the job done. There are currently 3 versions of the case for the iPhones, each worth a different capacity for charging power, and 2 designs for the Samsung Galaxy phones. The Mophie boasts 120% additional power and an easy on/off switch.

Most complaints about the Mophie include the lack of accessory access, including that for headphones and USB cables.

Pros:

Sleek Design

Up to 120% Additional Battery Power

Durable Case

 

Cons:

No Syncing Access (Must remove Case)

Headphone Jack less accessible

Product gets Hot when Charging

                               Overall Rating:  Screen Shot 2013-11-18 at 2.25.44 PM

 

6.

PHONE SUIT
Phonesuit

phonesuit.com
$79.95 – $99.95
iPhone 4(s) / iPhone 5(s)
Battery: 2100mAh Capacity
Weight: 2.78 oz

The PhoneSuit Elite Battery Case for the iPhone is certainly one of the most appealing charging cases on the market. The case is durable, and the size is preferred over many other cases given its slim look. The charging jack gives the option for charging or syncing your phone, and the fit offers access to most headphone jacks, regardless of shape or design.

Overall, the product is often edged out by companies like Mophie because of the product quality. The PhoneSuit works well, and looks great, but doesn’t seem to last as long as other products before pieces start breaking down and breaking off.

Pros:

Sleek Design

Up to 16 additional Hours talk-time

Quick Charging Technology

 

Cons:

Mediocre Durability

Too Expensive

Short Product Life

                               Overall Rating:  Screen Shot 2013-11-18 at 2.25.44 PM

 

Filed Under: TECHNOLOGY Tagged With: battery, battery life, best, better, Blackberry, Blackberry Z10, Boostcase, Case, Cell Phone, cell phone battery, Charger, Etón, iphone, iPhone 5s, iPhone5, Mobius Black, Mophie, PhoneSuit, Powerskin, review, Samsung, Samsung Galaxy, Samsung Galaxy S4, Samsung Galaxy SIII, tech, technology, Third Rail, top

Album Review: Fuck Buttons – Slow Focus

by Rio Toro

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Fuck Buttons: Slow Focus

Similar Artists: Black Dice, Battles, Carter Tutti Void, Blanck Mass

Genre: Noise Rock, Post Rock, Noise Techno, Shoegaze

Label: ATP Recordings

 

When Fuck Buttons debuted in 2008 with the polarizing, John Cummings’ produced Street Horrrsing, the group actually received a resounding amount of backlash from noise purists — who said the duo provided an overwrought and overly accessible version of noise-rock; catering to people who were more inclined towards mainstream indie rock rather than the “hardcore”. Then, next year, around the time “Surf Solar” was released from the lauded Tarot Sport, the haters really started to shut up. It certainly wasn’t because Tarot Sport was any less accessible than its predecessor though, because gone were the filthy, distorted vocals and modular incoherencies — instead, Tarot Sport offered a more streamlined, HD version of noise-rock that perfectly encapsulated the epic crescendos of post-rock. The fact that they created this edgy, piercingly beautiful sound without the use of guitars made it all the more impressive; it even made us wonder what — if any — was the use for actual electric guitars in this day and age.

During the short amount of time between the group’s first two full lengths, their artistic approach grew tenfold. These were massive, pulsating statements that didn’t just change the mood of the environment they were being played in — they actually managed to grab hold of its neck and pummel it to the ground with resounding force. However, It has now been 4 years since their last effort, and despite the lengthy incubation period, their first self produced album, Slow Focus, offers much less in the way of stylistic change from its predecessor. Thankfully, this doesn’t prevent it from being a strange and often confounding listen.

More so than any of their previous albums, the seven tracks on Slow Focus are prone to overload your senses. It’s the kind of music that doesn’t seem overly loud while you’re playing it — but just wait until you take your headphones off and realize you’ve given yourself a case of Tinnitus. I believe the unbeknownst harshness has to do with the fact that the duo’s sound is somehow (possibly over any other adjective) accessible — even immediately so on tracks such as the frenetic, drum crazy “Brainfreeze” and the arpeggiator heavy “Prince’s Prize”. Despite how there are nearly always high pitched frequencies to be heard, there is also so much else that sends positive, even calming messages to our brain waves. Because of this “overload”, It’s tempting to say that the duo buries the noise within their compositions, but as everything seems to be so evenly distributed in the mix, that wouldn’t be correct either. It is more that we are distracted by the more luminescent aspects of the music, and our mind tunes out the harsher, more disorienting aspects of the music. It is because our minds ignore the noise that we fail to brace ourselves from it.

Nevertheless, this is music that is worth damaging your ears for. Fuck Buttons’ approach has expanded in the sense that the textures are deeper and more layered than ever before — which is saying a lot, especially because this happens to be the first time the duo are taking the lead roles as producers/engineers. It’s a wonder why they didn’t do production work on Yeezus, because here they obtain a mood that is similarly riddled with anxiety and paranoia, and the productions are so gargantuan and extremist that they could seemingly topple over on themselves at any moment. However, where Yeezus defied expectations, Slow Focus flows very naturally and even predictably during the lengthiest tracks. The last two tracks “Stalker” and “Hidden Xs” — which also happen to be the longest — are so floaty and indebted to shoegaze that one could even fall asleep to them.

It’s hard to figure out when music started to sound this luxuriously massive, because I certainly can’t remember hearing anything like this a few years back. These are productions that seem to transcend the aspect of slow vs. fast, noisy vs. ambient, and raw vs. precise. Since we have basically heard no new music from the group during their lengthy 4 year absence, it really is astonishing that no one was able to forgot about them — “Surf Solar” has even become somewhat of a classic, and might be the best introduction to the now prevalent genre of noise-techno. Whether you enjoy Fuck Buttons or not, this is music that leaves a mark on you due to its relentless immediacy; and yes, this “mark” I’m talking about is more than just the permanent hearing loss that will result from the experience.

 

Track Listing:

1.) Brainfreeze*

2.) Year Of The Dog

3.) The Red Wing*

4.) Sentients*

5.) Prince’s Prize

6.) Stalker

7.) Hidden Xs*

 

Album Highlight – *

Filed Under: ENTERTAINMENT, MUSIC, REVIEWS Tagged With: album, ATP, fuck buttons, noise, post rock, review, slow focus

Album Review: James Holden – The Inheritors

by Rio Toro

rsz_theinheritors-cover-1400pxsticker

James Holden: The Inheritors

Similar Artists: Vladislav Delay, Ital, Pete Swanson, Manual Gottsching

Genre: Sound Collage, Krautrock, Experimental, Noise, Techno

Label: Border Community

 

The world of electronic music is a constantly moving one — there are seemingly hundreds of micro-genres, new *must have* equipment is put out on a day to day basis, and with intuitive tools like “GarageBand” being readily available on the everyman’s computer, it is easy (almost too easy) for people to make music. Due to these circumstances, the genre (if it can even be called that anymore) is flooded with near unlimited possibility, and because of that, producers seem to always be in a constant state of flux, desperately seeking out that next big sound — or at least a somewhat original one. It’s gotten to the point where every year (or every few months even) an electronic album comes around that is deemed “groundbreaking”, and honestly, keeping up with even the very best of the electronic releases throughout a year is a challenge; especially when you have to factor in that many of these albums take multiple listens to register.

Such is the case with James Holden’s The Inheritors. James Holden is a British producer/DJ who has worked on and off in the scene since the late 90’s. Although he own’s his own record label and released one of the best mixes of the 2000’s with Balance 005, he is arguably most well known for his early trance singles such as “A Break In The Clouds”, or his remix of Nathan Fake’s, “The Sky Was Pink”. With his 2007 debut full length, The Idiots are Winning, he took a side step away from his lush, bigger than life soundscapes to immerse himself more fully in prog and krautrock.

However, even for those of you who have become familiar with James Holden’s non traditional career arc, the first thing you will notice about his 2nd LP is how experimental it is. For one, the tracks are a blend of electro-acoustic instrumentation, with tones that alternate — almost haphazardly — between being sharp and dissonant to fuzzy and warm. Secondly, the tracks are based around live, single take keyboard melodies. This gives the music a whole lot of subtlety — at least some of which was likely unintentional. Even when something sounds like a loop, it isn’t, and once you realize this, hearing each piece play out becomes mesmerizing; since we never know when a drastic change might occur, it also feels rather dangerous. Lastly, there’s always something ominous lying within the depths of these tracks, as if a ritual is taking place and a ghostly apparition may be called forth at any moment.

The experience can be a bit overwhelming at first, and even after a dozen or so listens I am still startled by how layered many of these tracks are. While Holden certainly brushes upon Kosmiche (Circle of Fifths), noise (Sky Burial), minimal (Self Playing Schmaltz), and hauntology (Seven Stars), no track feels like a complete representation of said genre; there is no pure light or pure dark here. Instead, what we get is a series of sound collages that come together in a kind of delicious home made soup bowl. A treat that can only be offered by the very best that experimental music has to offer.

It has become somewhat of a cliche that electronic producers turn out music that is more challenging and inaccessible as their career lengthens, but that doesn’t keep The Inheritors from being any less of it’s own. This project was in fact inspired by William Golding’s 1955 novel of the same name, and while basing an album off of a 60 year old science fiction novel screams over-intellectualism, this is an album that has its more obvious pleasures as well. While people will complain that this music doesn’t contain the same sense of spectacle of Holden’s earlier work, that’s not necessarily true. If you want to find techno, or trance, or house, you can find it — somewhere within these endless waves of static hiss, its all there.

 

Track Listing:

1.) Rannoch Dawn*

2.) A Circle Inside a Circle*

3.) Renata*

4.) The Caterpillar’s Intervention

5.) Sky Burial

6.) The Illuminations*

7.) Inter-City 125

8.) Delabole

9.) Seven Stars

10.) Gone Feral*

11.) The Inheritors*

12.) Circle of Fifths

13.) Some Respite

14.) Blackpool Late Eighties*

15.) Self-Playing Schmaltz

 

Album Highlight – *

Filed Under: ENTERTAINMENT, MUSIC, REVIEWS Tagged With: album, electronic, experimental, james holden, music, review, the inheritors

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