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MUSIC

R&B and Hip-Hop at the Grammy’s

by Ryan Shea

homepage_large.45e3c196

Music’s biggest night is headed our way as the 55th Annual Grammy Awards will be live this Sunday night at 8pm eastern time on CBS.  Some of music’s biggest names will be performing, from Taylor Swift to Frank Ocean and most recently Justin Timberlake, who is not riding high so much on his failed first single “Suit & Tie”.

So who will be the biggest winners of the night? We already divulged into Record of the Year, but who will be crowned king in the rap and R&B fields? Here are my predictions as to who will win, should win, and was left in the dust.  Leave comments if you agree or disagree!

Best R&B Performance-

miguel-adorn-video
Credit to- hiphop-n-more.com

Miguel- “Adorn”
Usher- “Climax”
Luke James- “I Want You”
Estelle- “Thank You”
Robert Glasper Experiment Featuring Ledisi- “Gonna Be Alright)”

Who will win-  This should be an easy win for Miguel as “Adorn” got a coveted nod for Song of the Year, and that it pretty much is the best of the bunch.  Grammy darling Usher could give him a run for his money, but this is a sure fire win for Miguel.

Who should win- Miguel.  Repeat what I said before.

Who was left out- UMMMMMMMMMMMMMM “Thinking About You” by Frank Ocean.  WTF.  How is this in the Record of the Year category and not in this one? It makes no sense.  Such a phenomenal R&B record and his vocals are haunting.

Best Urban Contemporary Album-

homepage_large.45e3c196
Credit to: pitchfork.com

Frank Ocean- “Channel Orange”
Chris Brown- “Fortune”
Miguel- “Kaleidoscope Dream”

Who will win- Frank Ocean should be the only nominee here as far as I am concerned, and this will be his guaranteed win if he doesn’t get Album of the Year.

Who should win- Ocean.

Who was left out-  Let’s rephrase this with “Who should’ve been left out”.  Chris Brown’s homophobic ass.  Please go away.

Best Rap Performance-

Drake Featuring Lil Wayne- “HYFR”

Jay_z-Kanye_West-NiggaS-In_Paris-e1328668654333
Credit to- Straighttothea.com

Nas- “Daughters”
Jay-Z & Kanye West- “Paris”
Kanye West, 2 Chainz, Big Sean & Pusha T- “Mercy”
Young Jeezy Featuring Andre 3000 & Jay-Z- “I Do”

Who will win- God this really is a tough one, no joke.  It’s between three- Nas, Jay-Z and Kanye.  All three songs are strong in their own way.  The Grammy’s love all three, but I think “Paris” will nudge the other ones.

Who should win- Not really a fan of “I Do” or “HYFR”.  Lyrically, “Daughters” is amazing and one of Nas’ best songs ever, so that would be my pick.

Who was left out-  Don’t kill me for saying this, but I happened to love “Beez In The Trap” by Nicki Minaj featuring 2 Chainz.  The album sucked but this was a shining example of a rather dull album.

Best Rap/Sung Collaboration-

Credit to: wikipedia.org
Credit to: wikipedia.org

Jay-Z & Kanye West featuring The Dream & Frank Ocean- “No Church In The Wild”
Nas Featuring Amy Winehouse- “Cherry Wine”
John Legend Featuring Ludacris- “Best You Ever Had (Tonight)”
Flo Rida featuring Sia- “Wild Ones”
Rihanna Featuring Jay-Z- “Talk That Talk”

Who will win-  It’s video was just as stirring as the song, so I would go with “No Church In The Wild”.  Ocean’s voice is very subtle yet powerful for a song of this magnitude.

Who should win- Either “Church” or “Talk That Talk”.

Who was left out-  SHOCKED and I’ve said this before, nothing for “Take Care” by Drake and Rihanna.  Such a phenomenal record.  I would’ve chosen the Chris Brown remix of “Birthday Cake” by Rihanna over “Talk That Talk” personally as well.

Best Rap Album-

Drake- “Take Care”
Lupe Fiasco- “Food & Liquor- The Great American Rap Album, Pt.1”

Credit to: Businessinsider.com
Credit to: Businessinsider.com

Nas- “Life Is Good”
The Roots- “Undun”
Rick Ross- “God Forgives, I Don’t”
2 Chainz- “Based on a T.R.U. Story”

Who will win- This is somewhat of a weak category, but Drake will finally earn his first Grammy after 9 nominations.

Who should win- Drake or Nas, the only two that I really think are that good for this category.

Who was left out- Either Macklemore or Kendrick Lamar.  God knows why 2 Chainz got in here, good lord.

 

Filed Under: BREAKING NEWS, ENTERTAINMENT, MUSIC Tagged With: 2 chainz, Chris Brown, estelle, Frank Ocean, jay-z, kanye west, miguel, nas, nicki minaj, rick ross, usher

RuPauls Drag Race Recap: Queens of Yesteryear

by David Baxter

Rupauls Drag Race Season 5
Rupauls Drag Race Season 5
Credit to- www.homorazzi.com

It’s RuPaul’s Drag Race time! Are you ready? Beat your mug and your loins girded for some drama! [Read more…] about RuPauls Drag Race Recap: Queens of Yesteryear

Filed Under: BREAKING NEWS, ENTERTAINMENT, MUSIC Tagged With: rupauls drag race, snark, tv recaps

Album Review: Toro Y Moi – Anything In Return

by Rio Toro

toro-y-moi-anything-in-return

Toro y Moi          Anything in Return

Score          7.5/10

 

Similar Artists: Daft Punk, J Dilla, Caribou, Hot Chip, How to Dress Well, Miguel

Genre: Pop, Bubblegum, R&B, Hip Hop, Funk, Chillwave, Disco, House, Trance, Soul

 

As unprofessional as it may sound from a critical standpoint, I really tried to not like this album. I tried to dismiss the infectious bubblegum pop songcraft and titillating synths. I tried to find fault in the high pitched teenage vocals which are used unflinchingly in nearly every track. I was originally tempted to give this a low(er) score because of how corny and sour tasting the tracks can be, but if I’m being honest, through all of these critical thoughts, in the back of my mind I was thinking about how I couldn’t wait to play this music at a party. With mind blowing production and a plentiful amount of singles, this is a release you will want to test out in large groups at preferably spacious arenas. While previous full lengths “Causers of This” and “Underneath the Pine” may have been more visionary, this is more impressive, ambitious and massive.

With 3rd album, “Anything in Return”, Chaz Bundwick has reestablished himself as a bona-fide pop star comparable to contemporary R&B acts “Miguel” and “The-Dream”.  His voice has never sounded this spot-on and confident. One could imagine hearing many of these tracks on the radio, which couldn’t be said about Toro y Moi’s bedroom-leaning previous work. This new found radio-friendly style may cause some detractors, but will undoubtedly gain him more fans than he will lose. Much like Daft Punk’s move from Homework to Discovery, Toro y Moi is on his way from being an indie producer to a sold-out stadium act.

Chaz Bundwick has never quite fit in with his peers of the so-called “Chillwave” micro genre (a tag which he of course hates, despite the fact that he is known as one of its progenitors). He is too disco to be compared to Panda Bear, too hi-fi to be compared with Neon Indian, and way too serious and non self parodical to be compared to Ariel Pink. Although on first listen one might feel that Chaz is “having a laugh” when a track’s influences span five decades worth of pop music, you will soon realize there is no irony. This is both a positive and a negative, for it is what makes Toro y Moi original as well as why the music can be so off putting.

The album doesn’t quite have filler, but the first four tracks pretty much sum up the variety and breadth of influences offered throughout. The first of these, “Harm in Change”, contains shimmering piano chords reminiscent of something off of a “How to Dress Well” LP. First single, “Say That” is brilliant funk pop that exists as the album’s danciest moment. “So Many Details” is a few shades darker, and although its rhythms are not nearly as avant as its creator believes they are, it is still a welcome and memorable track. “Rose Quartz” mixes an assortment of perfectly placed vocal samples with a steady drum pulse and trance synths. If these first tracks are deemed the most exciting, the remaining nine are comparatively chill (save the emotional bombast of the last two).

So it turns out that I do like this album. Perhaps it is a testament to its artist’s supreme confidence that “Anything In Return” can exist outside its noticeable flaws and be seen as a perfect party record. When I listen on in the future, I’m not going to be thinking about what this album doesn’t have, I’ll be too busy enjoying it as the complete statement it is.

 

Track Listing:

1.) Harm In Change*

2.) Say That*

3.) So Many Details

4.) Rose Quartz*

5.) Touch

6.) Cola

7.) Studies

8.) High Living

9.) Grown up Calls

10.) Cake

11.) Day One

12.) Never Matter*

13.) How’s it Wrong*

 

* – Album Highlight

Filed Under: ENTERTAINMENT, MUSIC, REVIEWS Tagged With: Album Review, anything in return, toro Y moi

Raw Henry Wagons

by Pamela Gordon

Courtesy of Wagonsmusic.com
Courtesy of Wagonsmusic.com

Henry Wagons’ EP “Expecting Company,” brings the vintage Johnny Cash sound back with a twist. Wagons, of Australia, expressively howls through the 7 track EP with the accompaniment of other vocalists on almost each track. It’s a trippy sound with raw vocals that are undeniably full of Western masculinity.

Wagons’ has carefully paired other vocalists on his tracks, where not to shadow his talent, but rather compliment each note. While I listened to the opening track, “Unwelcome Company,” I felt transported into Wagon’s and Alison Mosshart’s state of mind, which was probably altered by some sort of recreational supplement. It encompasses that 1960’s sound and channels the track “Jackson” by June and Johnny Cash, with a darker edge.

During “Give Thing’s a Chance to Mend,” I could not stop thinking about film. Initially I was confused why I felt I was in a movie and then it came to me. All I kept hearing was Nancy Sinatras “Bang Bang” in the female vocals section. I did a little research and found that this song with featured in the film Kill Bill. The similarities are almost frightening. The strum of the guitar progression, the sound of the vocals and even the tempo; it’s a good song, but I still feel the album altogether is missing something.

The track that saved it for me was “I Still Can’t Find Her.” It sounds original and catchy (yet not annoying) while keeping me interested. The track tells a story and is musically and lyrically captivating. It has that something that the other tracks don’t have, and for me that’s heart.

Don’t get me wrong, the other tracks on the album are good, but it feels like Wagons may be trying a little bit too hard. His problem is trying to balance being too cool with a sound of country and a side of raw rock and roll. Sometimes a little bit of everything doesn’t make an album commendable. He should stick to what he’s good at and that can ironically be found in “I Still Can’t Find Her.” Since it’s a short EP it’s fairly inexpensive, so give it a listen it’s at least worth the exploration into Wagons’ head.

Filed Under: ENTERTAINMENT, MUSIC, OPINION, REVIEWS Tagged With: Australia, Country, Henry Wagons, Johnny Cash, Kill Bill, The Kills

Beyonce SHUT IT DOWN

by Ryan Shea

Credit to: huffingtonpost.com
Credit to: huffingtonpost.com

Boy oh boy did Beyonce have a lot to live up to last night.  After being criticized since her supposed “lip sync” at the Inauguration a couple of weeks back, she knew she had to bring it hardcore to the Super Bowl.  So did she accomplish that? From my point of view and several millions of people, she freaking did.

The anticipation built as the 2nd quarter ended.  Coming out in a leather, dominatrix type outfit, she blew the stage up with several of her different hits from “Baby Boy” and “Crazy In Love”.  It was the only time during the entire show that I actually stood close to the television screen to get a better view as to what was going on.  I was HOOKED.  The best part of course was when her Destiny’s Child crew, Michelle Williams and Kelly Rowland, popped out of nowhere to do “Bootylicious” and sing on her uber-huge hit “Single Ladies”.  Cue to me going ballistic.  Everything about the performance in itself was electrifying, as she herself is exactly that kind of an entertainer.  There was really no need for a zillion backup dancers, bands, or anything else to distract from what people really wanted to see- her.

This was an improvement by a million miles from the Black Eyed Peas two years ago, and even Madonna a year ago.  It seemed to flow a lot better than both of theirs and to silence her critics, she performed the whole damn thing live.  That is an arena that is very tough to do so, and she did it.  Freaking phenomenal.

According to ABCNews.com, she generated 5.5 million tweets (I made about 1.2 million of those), and many joked she was the one that caused the 34 minute power outage to happen as a result of how great it was.  There were also rumors of the triangle finger sign she gave to the camera.  Some people thought it meant illuminati (look it up), others thought it was designed for her hubby Jay-Z, who is known to make that kind of a symbol.

People who book the performers at the Super Bowl need to remember a night like tonight.  Quite frankly, since the Janet Jackson one back in 2003, and perhaps the Prince show a couple of years back, the halftime shows have been a snore fest based off of what i feel of them afraid to book younger performers.  There is nothing wrong with that, and there are several artists now that are an somewhat of a level that Beyonce is on and they can carry that kind of momentum.  I wouldn’t mind seeing a repeat of tonight in the years to come, but Beyonce once again proved why she is queen of the castle and will stay that way for a while.

Filed Under: BREAKING NEWS, ENTERTAINMENT, MUSIC, TELEVISION Tagged With: Beyonce, Halftime, Kelly Rowland, Michelle Williams, Super Bowl, Tweets, Twitter

Even if it’s Frank Ocean’s fault, why we will never side with Breezy.

by Ryan Shea

Chris Brown, Frank Ocean
Chris Brown, Frank Ocean
Credit to: usmagazine.com

A recent story in the media that has been huge is of course the fight between Chris Brown and Frank Ocean that happened the night of January 27th outside of a recording studio parking lot.  This fight was over a parking space.  Yes, a parking space.  Today, The Boombox has stated that Ocean will not press charges over the alleged incident in where Brown punched him and got jumped, stating-

“As a child I thought if someone jumped me it would result in me murdering or mutilating a man,” the R&B star wrote on his Tumblr page Saturday. “But as a man I am not a killer. I’m an artist and a modern person. I’ll choose sanity. No criminal charges. No civil lawsuit.”

If you have been living under a rock or in a country where music doesn’t exist, Chris Brown has had quite a few altercations over the past couple of years with several different people.  The most noted one is four years back where he beat the living hell out of Rihanna the night before the ’09 Grammys.  Now, they are allegedly back together and doing music as well (“Nobody’s Business”, “Birthday Cake Remix)”.  That is a story I could write about forever, but as I’ve stated in the past, it’s her choice.  She wants to go back to that, and not listen to the millions of people who think she’s a fool to go back to the modern day Ike Turner, then go for it.  Be an idiot.

He has also gone after a slew of other people from Jenny Johnson, Raz-B from B2K, Miranda Lambert and so many more.  I find it interesting when this cat came into the game about eight years ago.  He screamed rising star, and was the nicest guy in all of his interviews and I generally loved his persona and music.  I don’t get why he went from that to now looking like a Dennis Rodman lookalike who has to be so freaking gangster in everything he does. It’s baffling to me that he wants this image, but then again he still has ten million fans on Twitter, so he must be sadly doing something right.  Sadly.

All the reports online don’t really favor Chris in this because of said history with other artists and of course Rihanna.  He was seen with a cast on his arm recently, which should garner some sympathy, but for the masses of people who believe he shouldn’t be a celebrity anymore with his abuse against women, it falls on deaf ears.  Plus Frank Ocean really isn’t know for being controversial in that kind of arena.  He is just a talented dude.  This fight better not have been over homophobia either, because that would just further Chris Brown on his tour of ultimate douchebaginess.  Both of them are up for the same Grammy Sunday- Best R&B Album.  Go Frank.

Filed Under: BREAKING NEWS, ENTERTAINMENT, MUSIC, OPINION Tagged With: Chris Brown, Frank Ocean, Grammys, Jenny Johnson, manhattan digest, Miranda Lambert, R&B, Raz-B, Rihanna, The Boombox

Album Review: Mountains – Centralia

by Rio Toro

 

mountains-centralia

Mountains:          Centralia

Score:          8.5/10

 

Similar Artists:          Emeralds, Tangerine Dream, Tim Hecker, Fennesz

Genre:          Kosmiche, Space-Rock, Experimental Ambient

 

A first for my album reviews, I gave this a go with neither listening to any of “Mountains” previous work, nor knowing what style of music they played. My reasoning behind this was for the sake of removing preconceptions from the music, and allowing myself a clean slate in which to hear it. For some reason, I was expecting “Centralia” to be either “Godspeed” post-rock or “Crystal Castles” arcady synth pop. I found out that I had much more work cut out for me when it turned out that “Mountains” are more indebted to the Kosmiche of “Tangerine Dream”, or more recently, the now defunct “Emeralds”.

Brendan Anderegg and Koen Holtkamp of “Mountains” build their sound through the use of insurmountable synths/guitar. The Brooklyn based band creates effervescent soundscapes with a deeply textured, ever-changing electronic palette. While many spacey synth/guitar duos have been known for impromptu, half improvisational affairs, “Mountains” stand out (much like Julia Holter’s work) because it is organized and flows naturally from one theme to the next. Fear not, for this does not mean they don’t delve into the trippy, kaleidoscopic or hallucinatory; terms you would certainly use to describe the impeccable, 20 minute long centerpiece “Propeller”. The scene that “Mountains” are a part of is a cluttered one to say the least, but because of the fastidiousness that went into the production work, “Centralia” stands out among the band’s peers.

Centralia’s beauty is shown off quickly on 11 minute opener “Sand”. The heavy, stylized production incorporates whirring synths and a zoned out keyboard refrain. Near the end of the piece, the elements are washed out by swelling orchestral strings. These strings seem particularly demanding of one’s attention for how rarely they are used to such delirious affect in music of this variety. The album progresses to include other, surprising, instrumental forays, such as the arpeggiated acoustic guitar on “Identical ship” or “Tilt”, and the huge, feedback laden, black metal guitar chords on “Liana”. “Living Lens” ends the spaced out journey with a slice of delectable ambient wash. Highlights are abundant, so picking apart the album by playing tracks separately or out of order is not recommended.

It is easy for an artist to become engulfed in the random when dealing with music this massive, but everything on this album sounds necessary. There are no cacophonous yowls or overly drenched atmospherics. If there ever was a veil to curtain the talent of these two artists, it is surely pulled away on “Centralia”, and my god have they got some!

Track Listing:

1.) Sand*

2.) Identical Ship

3.) Circular C

4.) Tilt

5.) Propeller*

6.) Liana*

7.) Living Lens

* – Album Highlight

Filed Under: ENTERTAINMENT, MUSIC, REVIEWS Tagged With: Album Review, Centralia, Mountains

Through The Eyes Of Brandi Carlile

by Pamela Gordon

brandi carlile

 

 

brandi carlile
Credit to: mplayer.pastemagazine.com

Through the Eyes Of Brandi Carlile

When I used to hear the words “Country Music” I had a narrow minded view of a spoon slapping, twang sounding, lyrically limited genre.  Brandi Carlile’s “Bear Creek” is a perfect illustration of how vast country musics reach can be while touching the many emotions of the soul.

Carlile’s lyrical genius manages to evoke emotion and put me in the shoes of a child, a lover, a strong women and a lost soul.  Each and every track tells a different story, rather then having a constant theme throughout the album.

I feel that to do “Bear Creek” real justice, this review must go into several of her tracks in depth, as each has its own special element that deserves to be explored.  The opening track, “Hard Way Home” has a musically upbeat sound, including a bit of a “soul clap” giving that boisterous feel.  “Raise Hell” encompasses a powerful element, while allowing to feel her struggle not only through her lyrics but through her voice.  During “Keep Your Heart Young”, Carlile demonstrates the classic country sound with beautiful harmonies, with an exquisite accompaniment of an acoustic guitar, a walking upright bass line and the soft sound of brushes tickling the snare drum.   With the ballad “A Promise to Keep” the sorrow of Carlile is expressed with her melodic lyrics and classical quartet with the accompaniment of a guitar, touching both your heart and soul.

Carlile has effectively and emotionally put out an album with cutting-edge elements that many artists strive to have.  She displays lyrical mastery, vocal finesse and is accompanied by a variety musical styles, putting together what REALLY makes an album.  Each track has something special to give to the listener, and is worthy of a gander so we can share the Carlile experience together. Do yourself the COUNTRY favor.

Pamela Erin Gordon

Filed Under: ENTERTAINMENT, MUSIC Tagged With: Bear Creek, Brandi Carlile, Carlile, Country, vocalist, WFUV

Album Review: Pantha Du Prince & The Bell Laboratory – Elements of Light

by Rio Toro

Pantha-Du-Prince-Bell-Laboratory

Pantha Du Prince & the Bell Laboratory –           Elements of Light

Score –          8.0/10

 

Similar artists – Voices From The Lake, Ricardo Villalobos

Genre – Minimal Techno, Ambient Techno, Meditative

 

I first listened to “Elements of Light” while driving to work during the wee morning hours after an unexpected snowstorm.  Gazing at the newly whitened landscape as I rolled along the trafficless highway enacted a serene, glacial light upon the music. In essence, the music was perfected by this environment, and I was soothed into a state of transcendental bliss. I have listened to the music in a variety of settings in an attempt to rekindle my original impression of earthly tranquility, but despite my efforts, I have been unable to reach that same apex of enlightenment.

Regardless of environment, Pantha Du Prince’s fourth LP remains a technically complex, totally immersive headphone listen. While less showy than Black Noise, this is a leap forward for Pantha. “Elements of Light” consists 5 continuously flowing tracks, each largely composed with an assortment of bells. The main draw of the record is how Pantha does so much with this type of instrument, which has seemingly unlimited potential in his hands. There are other instruments as well, but all are second to the ting’s and tang’s of the bells. Pantha’s  new, extended pseudonym (& the Bell Laboratory) is an aptly titled one, as it is easy to imagine Pantha composing this material in the heart of a giant clock tower, surrounded by an array of shiny percussive equipment.

The album opens with particularly ethereal bells tingling away in unison. Empty space is abundant, and there is little to remind us of the Pantha from previous outings. The sounds grow busier with each minute, but it is not until the 8 minute mark that a kick drum is introduced and we are given a hint towards listening to anything pertaining to techno music. The album continues to pick up plenty of steam throughout the 12 minute “Particle”, and although you will certainly be tapping your foot, it is not what one could consider dance fare. Pantha’s music has always been the kind to make be jiggle, and there are certainly moments here that feature Pantha’s signature bass and groove, but the shifting structure and emphasis on experimentation make this a home listening experience rather than something you would want to play at a party.

The momentum simmers down at the start of “Spectral Split”, the album’s penultimate, 17 minute track. The constantly changing bell patterns that build to the album’s climax make me gleefully aroused every time. Quite paradoxically, the last 10 minutes of Spectral Split are more exciting than any techno track I’ve heard in months, but are simultaneously lamentable in their melancholic tone. The Final track, “Quantum”, is blissful lullaby-esque ambience that concludes the album on a contemplative note. The last 40 seconds of the album are dead silent, giving the listener time to gather his/her thoughts and return to the real world before removing the headphones.

At the beginning of this review I stated that the album never rewarded me as much as it did on my introductory listen; this is true only in the sense of a musical experience. Like all good albums, “Elements of Light” offers something new and rewarding with each listen. At ¾ of an hour and excellently paced, when compared to Black Noise’s hour + running time, Elements of Light flies by. The album invokes the same meditative full-body experience that last year’s beloved “Voices from the Lake” LP did, but it does so in half the time. The fact that this album is both easy to listen to and engrossing are the reasons I feel confident I will revisit it commonly throughout the year.

 

Track listing:

Wave

Particle*

Photon

Spectral Split*

Quantum

* – Album Highlight

Filed Under: ENTERTAINMENT, MUSIC, REVIEWS Tagged With: Album Review, Bell Laboratory, Elements of Light, Pantha Du Prince

Album Review: Broadcast – Berberian Sound Studio

by Rio Toro

Album Cover

Album Cover

 

Broadcast:          Berberian Sound Studio

Score:         7.5/10

 

Similar Artists: The Caretaker, The Focus Group, Philip Glass

Genre: Hauntology, Soundtrack, Musique Concrete, Collage

 

I will begin this review by saying what must be said: This is Broadcast’s first release since vocalist/instrumentalist Trish Keenan’s untimely death. She had been working on this soundtrack along with James Cargill before she was hospitalized due to pneumonia in 2011. Due to both artists being multi-instrumentalists, it is unclear how much of this album was worked on by Trish. However her influence is felt throughout and the music is made that much more sorrowful because of it.

Although this is a soundtrack, and stands alone in Broadcast’s discography, it can be considered a progression of the themes presented on 2010’s “Investigate Witch Cults of the Radio Age”. On that album, the band, along with collaborators “The Focus Group”, reached the culmination of their avant-garde tendencies. Although the band’s sound was always progressing, this was the first time where they could no longer be even remotely compared to their sister act, “Stereolab”.

Not surprisingly, due to this being a film score, “Berberian Sound Studio” is mostly instrumentally based. Although the album has a whopping 39 tracks, this number is in no way representative of the album length in total, which clocks in at only slightly over 30 minutes. Only a handful of tracks are over a minute, and the longest is 3 minutes. This leaves any kind of track-for-track analysis out of the question as many tracks are reliant on their antecedents and consequences. The album eventually does work well as a whole through the reemergence of themes and the occasional standout track. For the record, I listened to the album 10 times and not until the later half did certain pieces come into being.

Broadcast has always been known to be perfectionists, and despite the progression away from identifiable “songs”, that status is no different here. I have not seen the film this work is based off of, but the synopsis seems reminiscent of early Cronenberg, so it is not surprising that this release sees the band at their most “Hauntological”.  The sounds range from ominous keyboard melodies, vocal snippets, organ drones, 80’s synthesizers, the clicking of old film reels, blood-curdling screams, and Trish’s looped, echoey vocals. There are a few instances where the whimsicalities of early Broadcast from “The Noise Made by People” or “Haha Sound” can be heard, but these moments are few and far between. Don’t expect to come away from your listening experience humming anything in the vein of “Come on Let’s Go”.

This album is a difficult one to give a score. Broadcast’s work has always been the type whose greatness has taken a while to shine. When first released, no one called Broadcast’s early work as classic, but when the end of the last decade rolled around they were reevaluated and deemed masterful. As hypocritical as this sounds, “Berberian Sound Studio” is not going to be deemed a classic; however, it feels like something is missing to this album that will fill itself in as the sounds enters our subconscious and we revisit them years down the line. For now we will have to be happy that this album exists at all, for the tragedy surrounding it could have been fatal to what is surely music that is worthy to the band’s legacy.

 

Track Listing:

1.) A Breeze Through The Burford Spur

2.) The Equestrian Vortex*

3.) Beautiful Hair

4.) Malleus Maleficarum

5.) Mark of the Devil

6.) Confession Modulation

7.) Monica’s Fall

8.) Teresa’s Song

9.) The North Downs Dimension*

10.) Collatina is Coming

11.) Such Tender Things

12.) Teresa, Lark of Ascension*

13.) Monica’s Burial (Under the Junipers)

14.) Found Scaled, Dound Drowned

15.) Monica (Her Parents Have Been Informed)

16.) The Fifth Claw

17.) Saducismus Triumphatus

18.) The Gallops

19.) They’re Here, They’re Under Us

20.) Collatina, Mark of Damnation*

21.) Treatise

22.) A Goblin

23.) The Equestrian Library

24.) The Serpert’s Semen

25.) Burnt at the Stake

26.) All Chiffchaffs

27.) The Curfew After The Massacre

28.) Poultry In Mind

29.) The Sacred Marriage*

30.) Valeria’s Burial (Under the Fort)

31.) Edda’s Burial (Under the Clumps)

32.) The Game’s Up

33.) It Must’ve been the Magpies

34.) The Dormitory Window

35.) Anima De Cristo

36.) His World is my Shed

37.) Collatina’s Folly

38.) Here Comes the Sabbath, There goes the Cross

39.) Our Darkest Sabbath*

 

* – Album Highlight

Filed Under: MUSIC, REVIEWS Tagged With: Berberian Sound Studio, broadcast, review

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